Praised for her expressiveness and richly colorful tone, mezzo-soprano Ashley Armstrong is known for her musicianship as well as her scholarship. Driven by the desire to inspire in others a curiosity for more knowledge about music, she seizes every opportunity to share her vocal talents. This motivation has afforded her many unique opportunities to sing for esteemed individuals such as his Holiness the 14th Dalai Lama of Tibet, and at such celebrated locations as St. Paul’s Cathedral at Ground Zero, and Chicago’s Auditorium Theatre.

Ms. Armstrong begins the 2016/2017 season as an Artist with Chicago Fringe Opera, performing in Missy Mazzoli’s Song from the Uproar, an opera inspired by the journals of Isabelle Eberhardt, detailing her fantastic seven-year odyssey through the desserts of North Africa; and Ted Rorem’s Our Town, a tongue in cheek commentary on American life, based on the play by Thornton Wilder about the small fictional town of Grover’s Corners and the daily lives of its citizens. Her other engagements include Beethoven 9 with Chicago combined choirs, and a series of concerts in collaboration with Old Capitol Opera.

Ms. Armstrong made her operatic debut in 2011 as Third Lady in Die Zauberflöte at the Gallagher Bluedorn Performing Art Center, and this last year, she received her Chicago premiere at CCPA where she was featured as The Wife in Thomas Pasatieri’s The Women, Suzette in Milton Granger’s Bluebeard’s Waiting Room, and Ottavia in Monteverdi’s L’incoronazione di Poppea. Other opera credits include Mother in Menotti’s Amahl and the Night Visitors and Azucena in a gala presentation of Verdi’s Il trovatore. Additionally, she presented or has been featured in recitals for the Chicago College of Performing Arts, the University of Northern Iowa, and the Chicago Art Institute. In 2012 she won the senior division of the Iowa chapter of NATS student auditions and the next year she took home second place in the graduate division.

Currently a student of Allan Glassman, Ms. Armstrong received her M.M. from the Chicago College of Performing Arts in May of 2016. Before that, she graduated magna cum laude and Pi Kappa Lambda with a B.A. in Music and Theatre from the University of Northern Iowa, where she studied with Jeffrey Brich. During her time as a student she also gave world premieres of many works, including: “Could” by Pete Fernandez, Just Ann by Rebecca Burkhardt and Cynthia Goatley, Joy by John Schwabe, and Festival te Deum by David Childs.