One man's struggle with humanity and morality in the face of capital punishment.
Philip Glass’s harrowing adaptation of Franz Kafka’s short story of the same title returns to Chicago for the first time since the work’s premiere at the Court Theatre in 2000.
With two singers, two actors and a string quintet, Glass’s pocket opera is small in scale and vast in impact. In an unnamed country, a soldier is to be put to death by capital punishment: a machine will tattoo the offender’s crimes on his skin, thus bleeding him to death. When a suspicious human rights inspectors arrives to witness the punishment, the officer in command must convince him of the humanity of the procedure, but with brutal consequences.
Glass’s examination of capital punishment, morality and the darkness of the human spirit is amplified by his iconic score, full of the rhythms and harmonic complexities found in his other works such as Einstein on the Beach and the Qatsi trilogy.
This production is produced in partnership with the Lillstreet Art Center and is performed in the Center’s Painting Studio, continuing Chicago Fringe Opera’s successful run of opera productions in immersive and non-traditional venues.
Cast
The Officer
Matthan Ring Black
Matthan Ring Black
The Officer
Matthan Ring Black, baritone, holds a Master’s Degree in Opera Performance from Wichita State University and a Professional Diploma from the Chicago College of Performing Arts at Roosevelt University where he spent two years as a Young Artist with Chicago Opera Theater. Matthan has recently performed the roles of Don Alvaro and Dandini in Rossini’s Il Viaggio a Reims and La Cenerentola, Huy/The Doctor in the Chicago premiere of Daron Hagen’s Amelia at CCPA and Roderick Usher in a new realization of Debussy’s unfinished La Chute de Maison de Usher.
Matthan is also committed to classical vocal music in recital and concert. He recently performed in song recitals honoring the 50th anniversary of the death of Francis Poulenc and selections from La Traviata and A Midsummer Night’s Dream to celebrate the birthdays of Verdi and Britten. Matthan is also passionate about the preservation of art song in English through nontraditional performances of songs from composers such as John Adams, Ernst Bacon, Leonard Bernstein, Jake Heggie, and Lee Hoiby.
Matthan recently made his main stage debut with Chicago Opera Theatre as Vagabond #2 in Carl Orff’s Die Kluge and will be featured as an Apprentice Artist with Opera Southwest this October. Matthan will be also performing the role of Tarquinius in Candid Concert Opera’s The Rape of Lucretia in November. Other performances include Papageno (Die Zauberflöte), Sid (Albert Herring), Guglielmo (Cosi fan tutte), L’horloge Comtoise (L’enfant et les sortileges), Henry Davis (Street Scene), and The Lord High Chancellor (Iolanthe).
The Visitor
Zachary Vanderburg
Zachary Vanderburg
The Visitor
Tenor Zachary Vanderburg has been heralded as singing “with vocal luster, dramatic fire, and lyrical sympathy” – Augsburger Allgemeine. Performances this season include Dvorak’s Stabat Mater in festivals in southern France and northern Germany; Mendelssohn’s Symphony No. 2 Lobgesang at the Masterworks Festival; Bach’s Quodlibet, Cantata 147, and Beethoven’s Choral Fantasy as an artist-in-residence at the Baroque on Beaver Island Music Festival; appearances with Music of the Baroque, of which he is a member and teaching artist, under the direction of Jane Glover and Nicholas Kraemer; his role debut of The Visitor in Philip Glass’ In the Penal Colony with Chicago Fringe Opera; and guest recitals at Roosevelt University, Ball State University, Chicago’s City Winery, PianoForte Foundation and The Musical Offering.
Recently, Zachary made his Orchestra Hall debut as the tenor soloist in the North American premiere of Jacob TV’s Mountaintop with the Chicago Sinfonietta, a performance he revisited in February. Comfortable in opera repertoire as well as concert and recital, past seasons have seen Zachary’s role debuts of Rodolfo in Puccini’s La Bohème and Leander in Nielsen’s Maskarade; a concert featuring Britten’s Serenade for Tenor and Horn at the Baroque on Beaver Island Music Festival; a performance in the 10th annual PianoForte Foundation Schubertiade; performances with the Chicago Opera Theater in Verdi’s Giovanna d’Arco and Bloch’s MacBeth; European tours of Bruckner’s Te Deum, Haydn’s Die Schöpfung, Beethoven’s 9th Symphony, and Mozart’s Coronation Mass headlining the Eutiner Festspiele, Festival Durance Luberon, Hamburg’s St. Michael’s Church, as well as other venues in Germany, France and Luxembourg; and appearances as a backup singer in Chicago with The Rolling Stones on their 50 & Counting tour. Zachary has been recorded for broadcast by the Bavarian Public Radio (Bayerischer Rundfunk), WFMT in Chicago, and Blue Lake Public Radio in Michigan. He is a founding member of Fourth Coast Ensemble, Chicago’s premiere classical vocal quartet. Zachary has a masters from the Chicago College of Performing Arts and is currently pursuing a fellowship in vocal chamber music at the Collaborative Arts Institute of Chicago. He is a student of American tenors Allan Glassman and Nicholas Phan.
The Soldier
Eric Staves
Eric Staves
The Soldier
Eric Staves is honored to be working with Chicago Fringe Opera for the first time. Chicago credits include: Posh (Steep Theatre Co.), Love and Human Remains (Cor Theatre), Heat Wave (Cold Basement Dramatics), Half Price Cosmos (Bread and Roses). Televison: Empire (Fox). Film: The View From Tall (Official 2016 LA Film Festival Selection) and Goat (Paramount). You can also catch Eric on the popular Web Series, P.O.P.S. on YouTube. Eric is represented by Gray Talent Group.
Catherine O’Shaughnessy is a rising orchestral and opera conductor in the United States and abroad. Avidly committed to Chicago’s dynamic musical scene, she is currently the music director of Chicago Fringe Opera, the assistant conductor of Opera Festival of Chicago, and has appeared conducting productions at Chicago Opera Theater and DePaul University. In 2020, she helped produce Fringe’s contribution to the Decameron Opera Coalition’s Tales From a Safe Distance—winner of the “Best Collaboration” award from 360° of Opera. A semi-finalist in the 2016 Spazio Musica International Conducting Competition, Catherine made her New York debut conducting Antonio Salieri’s La Cifra with the dell’Arte Opera Ensemble. She has also music directed Pyramus and Thisbe in Freiberg (Mittelsächsisches Theater) and conducted Don Giovanni and La Traviata in Orvieto (Teatro Mancinelli). In 2013 she conducted the Moscow Philharmonic Orchestra at a sold-out performance in Tchaikovsky Hall.
George is the Producing Artistic Director of Chicago Fringe Opera, called “the city’s alt-opera company” by the Chicago Tribune. Recent directing credits for the company include LA JETEÉ and CORSAIR, as well as the company’s long-running hit show THE ROSINA PROJECT, a Hip-Hop adaptation of THE BARBER OF SEVILLE.
In addition, George has directed new productions and workshops of operas, musicals, and plays with Opera Festival of Chicago, Chicago Dramatists, the Chicago Sinfonietta, Pittsburgh Opera, the Bay View Music Festival and Chicago Folks Operetta.
An inspiring mentor, George is the Producing Artistic Director of Opera and Theatre at North Park University.
Now in its ninth season, George hosts OPERA BOX SCORE [America’s Talk Radio Show About Opera] on Spotify, Apple Podcasts, and WNUR 89.3 FM Chicago.
To learn more about George, visit gjcederquist.com. He proudly uses zero social media platforms.
Acclaim
"At a time when the big-league opera heard in Chicago generally adheres to the motto of "safety first," you have to admire the take-no-prisoners bravado of this plucky storefront ensemble."
"Friday night’s performance was a knockout, with sensational performances by the two principals, impressive musical values, and ingenious direction that made a virtue out of the tight space."
Supported by The CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, The Richard H. Driehaus Foundation, The MacArthur Funds for Arts and Culture, the Illinois Arts Council Agency.
Chicago Fringe Opera is an Opera America Partner.