A chamber opera for tenor, piano, and percussion by Iain Bell & Simon Callow
In 1853, Charles Dickens began to perform A Christmas Carol in public, portraying each of the characters himself without props or costumes. This tradition continues with Iain Bell and Simon Callow’s chamber opera adaptation, bringing the redemption that embodies the Christmas spirit to life.
Iain Bell, composer Simon Callow, librettist
Community Partners Michael Weidman, Rosehill Cemetery
Tenor Aaron Short has sung leading and featured roles with numerous national and international opera companies, including Dallas Opera, Nashville Opera, Chicago Opera Theater, Chicago Symphony Orchestra, Lyric Opera of Chicago’s Lyric Unlimited, Knoxville Opera, Nashville Opera, and the Festival Lyrique-en-Mer in France. He fulfilled young artist residencies with Portland Opera, Santa Fe Opera, Wolf Trap Opera, Chautauqua Opera, Lyric Opera Studio Weimar, and Florentine Opera in Milwaukee, Wisconsin. Some of his favorite roles he has performed include Sam in Susannah, Edgardo in Lucia di Lammermoor, Bégearss in Corigliano’s The Ghosts of Versailles, and Jimmy Mahoney in Kurt Weill’s Aufstieg und Fall der Stadt Mahagonny, where his performance was hailed by the New York Times as “simultaneously subtle and shattering.” Mr. Short is an alumnus of Wichita State University and Manhattan School of Music. Mr. Short is currently a Doctorate of Musical Arts candidate at Northwestern University.
Piano
Mark Bilyeu
Mark Bilyeu
Piano
Pianist, coach, and conductor Mark Bilyeu holds degrees from the University of Minnesota and the Chicago College of Performing Arts. He is the founder of Source Song Festival in Minneapolis, MN where he facilitated the premieres of over a hundred works, and himself has premiered works by Libby Larsen, David Evan Thomas, Matthew Recio, Rachel Fogarty, and many others. Mark was the only American finalist in the 2015 Das Lied Song Competition held in Berlin, and was named a 2018 Crear Scholar, which took him to Scotland to study with Malcolm Martineau. In addition to his performing schedule, Bilyeu is the Program Annotator for the Butler School of Music at The University of Texas at Austin, he hosts The Schubert Club of Minnesota’s “Concert Insights” program and serves as the Director of Music at St. Paul & the Redeemer Episcopal Church in Hyde Park.
Percussion
Rebecca McDaniel
Rebecca McDaniel
Percussion
Rebecca McDaniel is passionate about sharing music with others and about supporting the creativity of young musicians. Relying on music as a unifying force, Rebecca seeks to share curiosity and joy as a performer, educator, and arts administrator. She is an active chamber percussionist and teacher based in the Chicagoland area, collaborating most frequently with interdisciplinary percussion ensemble Beyond This Point and classical chamber ensemble 5th Wave Collective, and teaching at the Merit School of Music. She is the Marketing and Development Manager for the Grammy Award-winning quartet Third Coast Percussion, working closely with the ensemble in support of its performance, education, and collaborative programs.
Percussion
Cleo Goldberg
Cleo Goldberg
Percussion
Chicago-based music educator, conductor, and percussionist Cleo Goldberg (pronouns: they/them/theirs) teaches K-8 general music at Alexander Graham Bell School and serves as Director of the Lakeside Pride Pops Ensemble and the Millennial Chamber Players. As a percussionist, they have performed at festivals and competitions across the United States as well as in the United Kingdom, Germany, Switzerland, the Netherlands, and Russia. Goldberg studied conducting at the New York Conducting Workshop, the International Conducting Workshop & Festival (Lviv, Ukraine), the Pierre Monteux School, and the Juilliard Evening Division. They received a Bachelor of Music degree in percussion performance from Manhattan School of Music and completed the Master of Music Education and Certification program at VanderCook College of Music.
Described by the BBC as “…one of the 21st century’s most compelling musical dramatists”, Iain Bell’s music has been thrilling audiences in the world’s most prestigious concert halls and opera houses. Since the highly acclaimed world premiere of his first opera ‘A Harlot’s Progress’ at Vienna’s Theater an der Wien, his subsequent operas have been staged at houses including the Royal Opera House, Houston Grand Opera, Welsh National Opera, Trentino’s Teatro Sociale, English National Opera, New York City Opera and Mexico City’s Teatro de la Ciudad. This culminated in a 2022 gala at Prague’s Smetana Hall featuring excerpts from several of these works, where soprano Diana Damrau reprised the title role in ‘A Harlot’s Progress’.
Song is another cornerstone of Bell’s output and recent highlights have included Mezzo-soprano Jamie Barton’s world premiere of his ee cummings cycle ‘of you’ at Carnegie Hall, and a commission from the Salzburg Mozarteum to set selections from Whitman’s ‘Leaves of Grass’ for bass-baritone Douglas Williams.
In 2022, tenor Rolando Villazón performed the composer’s setting of Shakespeare’s ‘Come Away Death’ at the Philharmonie Luxembourg, then toured his cycle of Nahuatl poetry throughout Europe. Bell’s ’Beowulf’, for the BBC Symphony & Chorus and tenor Stuart Skelton premiered thereafter at London’s Barbican with actress Ruth Wilson as narrator. Other recent highlights include ‘Aurora’ – his concerto for coloratura soprano at the BBC Proms, and a performance ‘The Hidden Place’ at the Enescu Festival by the LSO, led by Gianandrea Noseda.
2023|24 sees the world premiere of his orchestral suite ’Stonewall ’69’, new productions of ‘Comfort Starving’, ‘The Man With Night Sweats’ and ‘A Christmas Carol’, along with brand new song cycles for both the New York Festival of Song and Brooklyn Art Song Society, and further ahead brings the completion of his queer trilogy Laid Bare.
George is the Producing Artistic Director of Chicago Fringe Opera, called “the city’s alt-opera company” by the Chicago Tribune. Recent directing credits for the company include LA JETEÉ and CORSAIR, as well as the company’s long-running hit show THE ROSINA PROJECT, a Hip-Hop adaptation of THE BARBER OF SEVILLE.
In addition, George has directed new productions and workshops of operas, musicals, and plays with Opera Festival of Chicago, Chicago Dramatists, the Chicago Sinfonietta, Pittsburgh Opera, the Bay View Music Festival and Chicago Folks Operetta.
An inspiring mentor, George is the Producing Artistic Director of Opera and Theatre at North Park University.
Now in its ninth season, George hosts OPERA BOX SCORE [America’s Talk Radio Show About Opera] on Spotify, Apple Podcasts, and WNUR 89.3 FM Chicago.
To learn more about George, visit gjcederquist.com. He proudly uses zero social media platforms.
Isa Noe is delighted to work with Chicago Fringe Opera for the first time. Recent Chicago design credits include The Consul (Third Eye Theatre), The Women Who Discovered How to Measure the Universe (Raven Theater), and Baked! (Theo Ubique Cabaret Theatre). Isa received their Bachelor of Arts from Northwestern University with a focus in scenic design. They would like to thank their family, mentors, and partner for their loving encouragement and unwavering support.
Supported by The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation, The CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events, & the Illinois Arts Council Agency. Chicago Fringe Opera is an Opera America Partner.