Dec 18, 2015

Fringe's Holiday House Party

It’s time for Fringe’s Holiday House Party at Berger Park Mansion! Join us for food and beautiful music as we present a combination of classical and popular holiday favorites. Featuring a cappella carols by Alfred Burt, three settings of James Agee’s Sure on this Shining Night, as well as favorite holiday standards. Following the performance, join us for a drink nearby and possibly even some caroling! This event is the perfect festive evening out.

Cast

Alyssa Arrigo

Collaborative Pianist

Alyssa Arrigo

Collaborative Pianist

Alyssa Arrigo is the current artist-in-residence collaborative artist at the Chicago College of Performing Arts and a Young Artist at Chicago Opera Theater. She is also an adjunct faculty member at Moraine Valley Community College where she teaches piano and lecture classes.

A Chicago native, Alyssa is a graduate of the esteemed Jacobs School of Music at Indiana University. While completing her masters degree, Alyssa worked as an opera coach and rehearsal pianist for the IU Opera Theater in shows like Albert Herring, Faust, A View From the Bridge, Candide and the world premiere of Bernard Rand’s Vincent. She regularly performs with small opera companies around Chicago.

Ms. Arrigo is an avid collaborator. In 2011 she was seen with tenor Andrew Lunsford at the Kennedy Center in Washington D.C. She has traveled annually to Las Vegas, Nevada, to perform at the annual Food and Beverage Forum with acclaimed tenor, Carlos Montane.

A veteran of numerous summer festivals, Alyssa was has been a part of the Aspen Music Festival and School, Vladamir Feltsman’s PianoSummer and made her Italian debut while playing for opera singers in Montecatini Terme, Italy as part of the Italian Operatic Experience.

Ms. Arrigo maintains a small private studio and also teaches at the Beverly Arts Center in Chicago.

Productions with Chicago Fringe Opera

2016 Holiday House Party Pianist 2016
The Turn of the Screw Pianist 2015
Fringe’s Holiday House Party Pianist 2015
Chicago Fringe Opera’s Lakeside Soiree Pianist 2015
Voices in the Dark, Jazz & Trouble in Tahiti Pianist 2015
The Rape of Lucretia Pianist 2014

Matthan Ring Black

Baritone

Matthan Ring Black

Baritone

Matthan Ring Black, baritone, holds a Master’s Degree in Opera Performance from Wichita State University and a Professional Diploma from the Chicago College of Performing Arts at Roosevelt University where he spent two years as a Young Artist with Chicago Opera Theater. Matthan has recently performed the roles of Don Alvaro and Dandini in Rossini’s Il Viaggio a Reims and La Cenerentola, Huy/The Doctor in the Chicago premiere of Daron Hagen’s Amelia at CCPA and Roderick Usher in a new realization of Debussy’s unfinished La Chute de Maison de Usher.

Matthan is also committed to classical vocal music in recital and concert. He recently performed in song recitals honoring the 50th anniversary of the death of Francis Poulenc and selections from La Traviata and A Midsummer Night’s Dream to celebrate the birthdays of Verdi and Britten. Matthan is also passionate about the preservation of art song in English through nontraditional performances of songs from composers such as John Adams, Ernst Bacon, Leonard Bernstein, Jake Heggie, and Lee Hoiby.

Matthan recently made his main stage debut with Chicago Opera Theatre as Vagabond #2 in Carl Orff’s Die Kluge and will be featured as an Apprentice Artist with Opera Southwest this October. Matthan will be also performing the role of Tarquinius in Candid Concert Opera’s The Rape of Lucretia in November. Other performances include Papageno (Die Zauberflöte), Sid (Albert Herring), Guglielmo (Cosi fan tutte), L’horloge Comtoise (L’enfant et les sortileges), Henry Davis (Street Scene), and The Lord High Chancellor (Iolanthe).

Productions with Chicago Fringe Opera

Lucrezia Chucho 2017
In the Penal Colony The Officer 2016
Fringe’s Holiday House Party Soloist 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
2014 Christmas Celebration Soloist 2014
The Rape of Lucretia Tarquinius 2014

Scott Brunscheen

Tenor

Scott Brunscheen

Tenor

Described as having a “clear, secure, lyric tenor voice” that is “bold and assertive,” Scott Brunscheen is establishing himself as a unique voice in classical music.

For the 2013-14 season, Scott joined Madison Opera as a studio artist, during which he performed as Spoletta in Tosca, the solo inmate in Dead Man Walking, and the understudy for Tonio in Donizetti’s La fille du régiment. Additionally, Scott travelled to Germany and Tunisia to participate with the Bachakademie Stuttgart as a soloist under the direction of Hans-Christoph Rademann. He also returned to Chicago to sing Don Ramiro in Rossini’s La Cenerentola with Candid Concert Opera (now Chicago Fringe Opera). For the summer season, he sang with the Caramoor Bel Canto Festival as a soloist in Donizetti’s Miserere and ensemble member.

During previous seasons, Mr. Brunscheen performed Count Almaviva (Il barbiere di Siviglia), Belmonte (Die Entführung aus dem Serail), Don Ottavio (Don Giovanni), Don Ramiro (La Cenerentola), and covered Roderick in Philip Glass’ The Fall of the House of Usher, First Priest (Die Zauberflöte), Aronne in (Mose in Egitto), Delfa in Cavalli’s Giasone, and Tobias Ragg (Sweeney Todd).

Future performances include Wilhem Grimm in Lyric Opera of Chicago’s outreach and community performances of The Brothers Grimm, Male Chorus in The Rape of Lucretia with Chicago Fringe Opera, and a return to Bachakademie Stuttgart.

Scott has been a young artist with Chicago Opera Theater, Opera Theatre of St. Louis, Caramoor Bel Canto Festival, and Opera New Jersey. His completed his undergraduate studies at University of Utah and received his graduate degree from Roosevelt University. He currently lives in Chicago with his husband.

Productions with Chicago Fringe Opera

2016 Holiday House Party Soloist 2016
Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Quint/Prologue 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
Far Off Light Soloist 2015
2014 Christmas Celebration Soloist 2014
The Rape of Lucretia Male Chorus 2014

Katy Compton

Soprano

Katy Compton

Soprano

Katy Compton, a native of Waxahachie, Texas, has been praised for her “clear and attractive soprano,” and has established herself as a warm, accessible, and thoughtful performer. This winter, she looks forward to singing in concerts with CHAI Collaborative Ensemble and Chicago Fringe Opera. Katy’s recent performance highlights include playing the Governess in The Turn of the Screw with Chicago Fringe Opera, touring with Lyric Opera of Chicago’s outreach program, Opera in the Neighborhoods, as Dortchen in The Brothers Grimm, and singing with the Lyric Opera of Chicago chorus in last season’s production of Tannhäuser. Katy was a semi-finalist in last year’s Classical Singer Competition, is a proud member of Vox 3 Collective, and is an accomplished chorister, singing frequently with the Chicago Symphony Chorus and Grant Park Chorus. She received her M.M. in Voice Performance from Florida State University, and lives in Chicago with her husband.

Productions with Chicago Fringe Opera

Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Governess 2015
2014 Christmas Celebration Soloist 2014

Angela De Venuto

Soprano

Angela De Venuto

Soprano

Chicago native Angela De Venuto’s vibrant soprano and magnetic stage presence has brought her to perform such roles as Adele (Die Fledermaus), the title role of Angélique (Ibert), Emily Webb (Our Town), Fiametta (The Gondoliers), and Peep-Bo (The Mikado) with DePaul Opera Theatre, and Lady Saphir (Patience) with Savoyaires.

Recently, Angela has performed self-produced recitals: An Evening of Art Song, and Sending Our Love (a benefit recital for Illinois tornado victims). She also performed scenes as Sophie (Der Rosenkavalier) with the Northwest Chicago Symphony and scenes as Countess (Le Nozze di Figaro) at Northwestern University, was soprano soloist for Vivaldi’s Gloria, and covered the role of Musetta (La bohéme) with Kor Productions. She occasionally performs throughout the country as soprano soloist with composer and pianist Eric Genuis in venues ranging from concert halls to maximum-security prisons.

In concert, Angela has performed works from Vivaldi, Handel, and Monteverdi to respected American composers such as John Cage and Thomas Pasatieri. A prolific recitalist, Angela has performed composers such as Respighi, Chausson, Dowland, Barber, Libby Larsen, and Previn. In 2013, Angela was the winner of the Raimondi Scholarship and in 2012, the LiPuma Scholarship in the Casa Italia Vocal Competitions. Angela trained in the Advanced Artist Program with OperaWorks during the summer of 2014 and received her B.M. in Vocal Performance from DePaul University.

Productions with Chicago Fringe Opera

Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Miss Jessel 2015

Jared Esguerra

Tenor

Jared Esguerra

Tenor

A Chicago native, Jared received his B.M. from DePaul University in 2012 where he studied with Christopher Lorimer. There, he was cast in a number of leading roles such as Gabriel Von Eisenstein in Die Fledermaus and Luiz in The Gondoliers through DePaul Opera Theater. He recently was an apprentice artist at Sarasota Opera for their 2014 winter season.

Currently, he studies with Julia Faulker while being a chorister for the Lyric Opera of Chicago and for the Chicago Symphony Chorus.

Productions with Chicago Fringe Opera

2016 Holiday House Party Solois 2016
Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Miles* 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
2014 Christmas Celebration Soloist 2014

Giovanna Jacques

Mezzo-Soprano

Giovanna Jacques

Mezzo-Soprano

Mezzo-Soprano Giovanna Manilla Jacques has been actively involved in the Chicago opera scene. She has appeared in several of DePaul Opera Theater productions, portraying such roles as Bianca in Britten’s Rape of Lucretia, Mrs Peachum ThreePenny Opera, Florence Pike in Britten’s Albert Herring, The Duchess in Gilbert and Sullivan’s The Gondoliers and the witch in Purcell’s Dido and Aeneas. She will next be heard singing the role of Mrs. Grose in the Chicago Fringe Opera’s production of Britten’s The Turn of the Screw.

She is the head of Development for the Chicago Fringe Opera and is also a founding member of the Chicago women’s ensemble Caritas, as well as a yearly participant in the PianoForte association’s Schubertiade. A native French speaker, she also served as the French language coach for CUBE’s production of La Tragédie de Carmen. She just returned from Los Angeles, where she was a part of the OperaWorks Emerging Artists Program. Though she was born and spent her childhood in San Francisco, Ms. Jacques spent her formative years in the South of France where she studied at the Conservatoire National de Toulon. She completed her Bachelor of Music in Voice Performance from DePaul University.

Productions with Chicago Fringe Opera

Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Mrs. Grose 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
The Rape of Lucretia Bianca 2014

Elyse Kakacek

Soprano

Elyse Kakacek

Soprano

Elyse Kakacek has been acclaimed by Chicago critics as “a young singer with vocal heft” with a “sparkling soprano voice” and “pleasing ability to navigate the stage”. She has been seen in various stage roles including Nedda, Susanna, Pamina, Frasquita, Clorinda, Adele and Ida in Die Fledermaus, Despina, Gretel, Zerlina, Papagena, Yumyum and Peep-Bo in The Mikado, and Sieglinde Lessing in Music in the Air. She also was in the cast of Spirit of the Dance in Niagara Falls as a featured soloist for Spirit Productions.

She has performed with The Cobalt Opera, Candid Concert Opera, Music by the Lake, Petite Opera Productions, American Chamber Opera Company, The Gilbert and Sullivan Company of Chicago, The Savoyaires and the DePaul Opera Theatre. She made her musical theatre debut at age seventeen as Dari in a middle-eastern pop-opera Sitaram with Lookingglass Theatre.

Her next adventure will be portraying the role of Despina in The Floating Opera Company’s inaugural production of Cosi fan tutte in the fall. Miss Kakacek will also be singing the role of Alice with Chicago Opera Playhouse during their 2014-2015 season production of Alice in Wonderland by Adam Busch. On the concert stage, she has appeared as soloist in Beethoven’s Choral Fantasy at the International Beethoven Festival in Chicago, Mendelssohn’s Elijah (The Youth), and in Schubert’s Mass in G. Elyse was a Finalist in both Chicago’s Opera Idol Competition and in the Opera Professional division for The American Prize: Virginia Schorr Memorial Award in 2013.

Miss Kakacek is honored to be a member of the Black Box Acting Studio family where she has completed four levels of study in the Sanford Meisner Method. She has participated in several summer training programs including Chicago Summer Opera, Operaworks, The Amalfi Coast Music Festival and the Opera Training Institute of Chicago. She holds a Bachelor’s degree in Vocal Performance from DePaul University and currently studies voice with Winifred Faix Brown in Chicago.

Productions with Chicago Fringe Opera

Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Flora 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
The Rape of Lucretia Lucia 2014

Jacquelyn Kress

Mezzo-Soprano

Jacquelyn Kress

Mezzo-Soprano

Jacquelyn Kress, mezzo-soprano, is a recent graduate of the Opera Institute at Boston University. With the OI, Ms. Kress was seen as Annio (La Clemenza di Tito), Kate (Owen Wingrave), Jean (Le Portrait de Manon), Mother Marie (Dialogues of the Carmelites), and Fidalma (Il Matrimonio Segreto). She has also performed with the Lyric Opera of Chicago’s outreach program as Tisbe in La Cenerentola. Other performances include Hansel and Gretel (Hansel), La vie parisienne (Métella), The Pirates of Penzance (Ruth),Trouble in Tahiti (Dinah), L’enfant et les sortileges (L’écureuil/La chatte), The Mikado (Katisha), Roméo et Juliette (Stephano), Cosi fan tutte (Dorabella). She has also been on the international stage: Salzburg, Austria as Marcellina in Le nozze di Figaro, and Périgueux, France as the title role in Offenbach’s La Périchole. Ms. Kress has a BM from the University of Illinois, and a MM from Roosevelt University.

Productions with Chicago Fringe Opera

As One Hannah Before (cover) 2017
Fringe’s Holiday House Party Soloist 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
2014 Christmas Celebration Soloist 2014

Jessie Lyons

Soprano

Jessie Lyons

Soprano

Lyric soprano Jessie Lyons is one of the most promising performers of opera’s new generation. The Iowa native has been enthusiastically received by audiences in numerous productions in Italy and throughout the United States.

Jessie has been described as “an amazingly talented young lyric soprano [with] a unique voice that is strong and warm throughout her range,” and her “poise and natural stage presence put her at the top of the list among her current peers.”
(Matthew Chellis, international performing artist).

Of one performance, Stage West Des Moines director Paul Dieke said, “Jessie has an exciting voice, brilliant and powerful, with secure, well-developed high tones. She was musically accurate and approached her roles with sensitivity and expressiveness. Dramatically, she was superb. Her anger/fight scene was mesmerizing.”

Jessie has performed numerous roles with various opera companies. Among her finest achievements to date are her performances of Alice Ford in Verdi’s Falstaff, Musetta in Puccini’s La bohème, La Ciesca in Puccini’s Gianni Schicchi, and Donna Elvira in Don Giovanni with La Musica Lirica in Italy. She has also performed as Alice Ford in Otto Nicolai’s The Merry Wives of Windsor and Lady Billows in Britten’s Albert Herring at Luther College, and Mimi in American Chamber Opera’s production of La bohème. In addition, she has sung with the Taos Opera Institute in Taos, New Mexico. Following that, Jessie performed with the Des Moines Metropolitan Opera in their 40th anniversary season, singing in Puccini’s La Rondine and Tchaikovsky’s Eugene Onegin, and scenes from Britten’s Turn of the Screw, Debussy’s Pelléas et Mélisande, Smetana’s The Bartered Bride, Mozart’s Cosí Fan Tutte, and Stephen Sondheim’s A Little Night Music.

Jessie holds a Bachelor’s Degree from Luther College and a Master’s Degree from Roosevelt University’s “Chicago College of Performing Arts.” After finishing her Master’s Degree, Jessie spent a summer in New York City participating in the Manhattan School of Music Summer Festival.

Most recently, Jessie took part in Madison Opera’s 2013-14 resident artist program in Madison, Wisconsin, where she covered the title role in Puccini’s Tosca and sang Sister Catherine (and covered Sister Rose) in Jake Heggie’s Dead Man Walking.

Productions with Chicago Fringe Opera

Fringe at the Taproom Soloist 2018
The Long Christmas Dinner Lucia/Lucia II 2018
2016-17 Season Opening Gala Soloist 2016
Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Miss Jessel* 2015

Kaileen Miller

Soprano

Kaileen Miller

Soprano

Soprano Kaileen Miller is an up-and-coming singer in the Chicago area, performing regularly with the Chicago Symphony Orchestra, the Grant Park Music Festival, and the Lyric Opera of Chicago. She recently particpated in the Emerging Artist Program with Virginia Opera, singing the role of the High Priestess in Aida and covering the role of Eurydice in Philip Glass’ Orphée. She spent two summers at Central City Opera as an Apprentice Artist, most recently singing Nella in Gianni Schicchi and a cover performance of Oriana in Handel’s Amadigi di Gaula. Additionally, she was hailed with rave reviews in her appearance as Donna Anna in Berkeley Opera’s Don Giovanni, declaring her portrayal as “a clear audience favorite…she sang with fervent feeling.” Previously based in San Francisco, Ms. Miller has sung many other operatic roles in the Bay Area including: the Countess in Le nozze di Figaro, Micaëla in Carmen, Fiordiligi in Così fan tutte, and Helena in A Midsummer Night’s Dream. She completed her Master’s degree at the San Francisco Conservatory of Music under the tutelage of mezzo-soprano Catherine Cook. Ms. Miller has worked with such luminaries as Dame Kiri te Kanawa, Thomas Hampson, Christine Brandes, Helmuth Rilling, and Nicola Luisotti. She has won numerous competitions and awards, including third place in the Western Regional Metropolitan Opera National Council Auditions, fourth place in the East Bay Opera League Scholarship Competition, and an Encouragement Award in the District Met Auditions in San Francisco.

Productions with Chicago Fringe Opera

Fringe’s Holiday House Party Soloist 2015
The Turn of the Screw Governess* 2015

Aaron Wardell

Bass-Baritone

Aaron Wardell

Bass-Baritone

Aaron Wardell has been praised for his attractive, versatile baritone and is a sought-after performer in both opera and concert. He recently sang Yamadori in the Castleton Festival’s production of Madama Butterfly, where he was called a “young, handsome hunk” by the Washington Post. He has appeared with Opera Tampa, Dayton Opera, Elgin Opera, Chamber Opera Chicago, Central City Opera and internationally at Teatro National de Sucre in numerous roles including Dancaïro (Carmen), Marcello (La Bohème), Marco (Gianni Schicchi) and the title role in Don Giovanni.

Equally at home on the concert stage, his oratorio credits include Adam in Haydn’s Die Schöpfung, Mozart’s Mass in C Minor, Stravinsky’s Les Noces, Vaughan Williams’ Sea Symphony, Handel’s Messiah, Brahms’ Requiem, and both Bach Passions.

Aaron holds a Bachelor of Music from Western Michigan University, and earned a Master of Music in vocal performance and an Artist Diploma in opera from the University of Cincinnati College-Conservatory of Music.

Productions with Chicago Fringe Opera

The Great God Pan Raymond 2018
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
Voices in the Dark, Jazz & Trouble in Tahiti Sam 2015
2014 Christmas Celebration Soloist 2014
The Rape of Lucretia Junius 2014