Join Chicago Fringe Opera in celebrating the immeasurable contributions of the LGBTQ community within the world of performing arts with a Virtual Pride Celebration. This online concert event will highlight the works of living LGBTQ composers performed by members and allies of the LGBTQ community. Featuring the world premiere of a piece by composer/conductor, Brandon Williams.
Rosśa Crean (they/them) jokingly says they “write strange music that they like to listen to when they are by themself, eating raw cookie dough in a dark closet,” but in truth, their music has been referred to as being “funny…and virtuosic” (Classic Concert Nova Scotia), having “exceptionally different, outstanding quality” (Download), and music that “stirs you deep, undertones of humanity” (Access Contemporary Music). Composing and creating music with a focus on the evocative and lyrical, they began their professional career as a Bass-Baritone, specializing in avant-garde and Contemporary Classical music, many of which were their own compositions. While pursuing their Masters at Illinois State University in Composition, they have studied with Stephen Taylor, David Feurzeig, and Nancy Van de Vate. They have trained in several vocal styles, including rock, opera, sean-nós (traditional Gaelic singing), and Indian and Middle Eastern vocal ornamentation.
As a synesthete, Crean occasionally creates projects that focus on neurological responses between sound, color, and emotional states. Their chromesthesia was a creative tool in the creation of the Edward Gorey partnering art installation entitled “Summerland: A Ghost Story,” a collaboration with visual artist Ken Gerleve. It has most recently been featured in their opera, “The Great God Pan,” (2018-19 American Prize winner) where the prepared piano was notated with specific color designations for each note of a pitch class Crean saw as representing the other world that threatened the moral existence of humanity in the original story on which it was based. Their one-act opera “The Times Are Nightfall,” a queer sequel to “Don Giovanni,” premiered at Opera America in July 2018. Their most recent work, “The Priestess of Morphine,” a monodrama in song cycle style, was commissioned and premiered by the International Museum of Surgical Science in Chicago in June 2019.
A prolific collaborator, Crean has received commissions from and worked with numerous artists, including The Mozart Players at Oberlin College, Opera on Tap (Chicago and New York), Loyola University Museum of Art, bassist Gahlord Dewald, The New Consort, and the Lynx Project. Their musical work has also been featured on Skope TV, Much Music, Fuse TV, and Comcast OnDemand.
A staunch advocate for queer and gender equality, Rosśa founded the “Rosśa Crean Presents” performance series in Chicago, Illinois, which showcases emerging POC, LGBTQIA+, and female-identifying composers and performers.
Sounds of Pride 2020 | Composer | 2020 |
The Great God Pan | Composer | 2018 |
Praised by the Ann Arbor News for her “marvelous voice,” soprano Claire DiVizio is quickly gaining a reputation for her vocal and dramatic versatility. 2018/2019 holds two company debuts: with Chicago Fringe Opera as Hera in Christopher Cerrone’s All Wounds Bleed, and with Des Moines Metro Opera as the study-cover for Marie in Berg’s infamous Wozzeck. Her last three seasons have included covering Leonora in Verdi’s Il Trovatore with St. Petersburg Opera (FL), singing Salud in De Falla’s La Vida Breve with Cincinnati Chamber Opera, appearing as Giorgetta in Puccini’s Il tabarro with Mid-Ohio Opera, and performing as the Queen of the Fairies in Gilbert & Sullivan’s Iolanthe with the Gilbert & Sullivan Opera Company of Chicago. Since 2016, Claire has held a coveted spot with the Chicago Symphony Orchestra Chorus, which performs under the baton of Riccardo Muti.
One of Claire’s greatest musical passions is working with living composers. Claire has created seven opera roles, and premiered more than twenty concert works for voice, including art song, chamber music, and choral solos. In recent years she has premiered works by Philip White, Ermir Bejo, Lincoln Hanks, Ezra Donner, Yvonne Freckmann, Chris Kincaid, Michael Montgomery, Anna Garman, José Julio Díaz Infante, and Andrey Komanetksy. She is currently collaborating with composers Griffin Candey, Sean Ellis Hussey, and Quinn Dizon on upcoming premieres.
Claire is also an active arts administrator. In 2011, she created Thompson Street Opera Company, which is dedicated to producing new operas by both emerging and established composers. The company resided in Louisville KY for four years, presenting a summer festival which has been featured in multiple news outlets including the Courier Journal, BroadwayWorld, WFPL (NPR affiliate), and Arts-Louisville. In 2016, the company relocated to Chicago IL. They are now in their third season in Chicago, where their achievements so far have included three sold-out performances, a commissioned work, a partnership with Pride Films & Plays, and the critically-acclaimed Chicago premiere of Clint Borzoni’s When Adonis Calls.
Love Wounds | Hera (All Wounds Bleed) | 2019 |
Sounds of Pride 2020 | Soloist | 2020 |
Megan Fletcher is a soprano and voice teacher based in Chicago. As an avid choral singer, she can be seen performing with the Grant Park Chorus, Chicago Symphony Chorus, and William Ferris Chorale. She debuted with Chicago Fringe Opera in 2018 as Leonora in Paul Hindemith’s The Long Christmas Dinner. As an advocate for social justice in the arts, Megan has appeared performing as a soloist and chorister with Hearing In Color, a Chicago arts organization seeking to highlight underrepresented music written and performed by people of color and other minorities.
Sounds of Pride 2020 | Soloist | 2020 |
Sounds of Pride | Soloist | 2019 |
The Long Christmas Dinner | Leonora | 2018 |
Born into a musical family in rural, northern Wisconsin, Heidi began her piano studies as early as four years old and harp studies at seven years. Through her years of musical training, she eventually took up studies in voice, oboe, organ, jazz piano, saxophone, mallet percussion, and guitar. She started composing at the age of 18 and fully began her composition training her junior year of college. She earned degrees in composition from the University of Wisconsin – Eau Claire (BM) and Roosevelt University – Chicago College of Performing Arts (MM). Her previous composition instructors include Stacy Garrop, Kyong Mee Choi, Ethan Wickman, and Chia-Yu Hsu, and J. Michael Roy.
An avid lover of works for the stage and screen, Heidi’s music is heavily influenced by romantic opera, contemporary musical theatre, and film and television scores. With over 150 original compositions to her name, she enjoys writing for a multitude of genres, such as vocal, choral, opera, chamber, musical theatre, solo piano, and wind ensemble. She has received commissions from many of her fellow performer colleagues as well as the Gaudete Brass Quintet, Bach + Beethoven Experience, University of Wisconsin – Eau Claire Wind Symphony, Women’s Concert Chorale, Wind Symphony, Singing Statesmen, Rice Lake Municipal Band, Platteville (WI) School District, Columbus (WI) High School, Beaver Dam (WI) High School, Lakeland All-Conference Honors Choir. Her award-winning music has been performed across the United States, Canada, and Europe. Recent performances include Take My Hand by the Gaudete Brass Quintet, Four Sacred Settings by the UWEC Women’s Concert Chorale, Distracted by Nick Phillips as part of his #45Miniatures project, Deus Noster Refugium by the UWEC Singing Statesmen, Gaudete Omnes by the UWEC Symphonic Choir and Wind Ensemble. Recent musical theatre compositions include The Bone Harp with Laura Stratford, which premiered with a sold-out first reading at the 2019 Chicago Musical Theatre Festival, and Queer Eye: the Musical Parody with Evan Mills, which had a nearly-sold out workshop run at The Playground in Spring of 2019.
Heidi is also a highly sought-after music director and arranger. In addition to accompanying both local ensembles and various musical theatre productions and rehearsals at the high school, collegiate, and community levels, she has arranged music for ensembles for the Peppermint Patties, Cameron School District, Red Cedar Chorus, and for several UWEC a capella groups, as well as served as a music assistant / orchestral librarian for The Who’s Moving On! 2019 international stadium tour. She has been serving as the composer in residence and music director for operatic improv group Forte Chicago since 2016, and is currently serving as the music director and orchestrator for Reddyk & Krupp’s Hildegard: An Unfinished Revolution.
In addition to her work as a composer and music director / arranger, Heidi is an active performer in the greater Chicago area. Heidi has performed all over the greater Midwest with a myriad of regional talent. Most recently, she premiered 13 of her original works during her debut cabaret Cheaper Than Therapy in August of 2018 at Davenport’s Piano Bar in Chicago, which also featured fifteen Chicago and New York-area artists. She returned to Davenport’s in October 2019 for her follow-up show, Heidi Joosten Ruins The Things You Love, which featured some of Heidi’s favorite (and least favorite) works in the musical theatre repertoire. Her accomplishments as a vocalist are complemented by her proficiency as a solo pianist; her debut solo piano album Winter Meditations was released in December of 2018 and is available for purchase on Bandcamp. She will also be performing Rhapsody in Blue in April at the University of Wisconsin – Eau Claire at Barron County Communiversity Ensemble under the baton of her father, Michael Joosten. Heidi also loves performing on stage, most recently portraying Natalie Goodman in the Eau Claire Children’s Theatre production of Next to Normal and Eponine Thenardier in Northern Star Theatre Company’s production of Les Miserables.
In the free time she has, Heidi enjoys making friends with the dogs that live in her building. She is a proud member of ASCAP, Pi Kappa Lambda, International Alliance for Women in Music, and the American Composers Forum.
Sounds of Pride 2020 | Composer | 2020 |
Sounds of Pride 2020 | Composer | 2020 |
Sounds of Pride | Composer | 2019 |
Lyric soprano Jessie Lyons is one of the most promising performers of opera’s new generation. The Iowa native has been enthusiastically received by audiences in numerous productions in Italy and throughout the United States.
Jessie has been described as “an amazingly talented young lyric soprano [with] a unique voice that is strong and warm throughout her range,” and her “poise and natural stage presence put her at the top of the list among her current peers.”
(Matthew Chellis, international performing artist).
Of one performance, Stage West Des Moines director Paul Dieke said, “Jessie has an exciting voice, brilliant and powerful, with secure, well-developed high tones. She was musically accurate and approached her roles with sensitivity and expressiveness. Dramatically, she was superb. Her anger/fight scene was mesmerizing.”
Jessie has performed numerous roles with various opera companies. Among her finest achievements to date are her performances of Alice Ford in Verdi’s Falstaff, Musetta in Puccini’s La bohème, La Ciesca in Puccini’s Gianni Schicchi, and Donna Elvira in Don Giovanni with La Musica Lirica in Italy. She has also performed as Alice Ford in Otto Nicolai’s The Merry Wives of Windsor and Lady Billows in Britten’s Albert Herring at Luther College, and Mimi in American Chamber Opera’s production of La bohème. In addition, she has sung with the Taos Opera Institute in Taos, New Mexico. Following that, Jessie performed with the Des Moines Metropolitan Opera in their 40th anniversary season, singing in Puccini’s La Rondine and Tchaikovsky’s Eugene Onegin, and scenes from Britten’s Turn of the Screw, Debussy’s Pelléas et Mélisande, Smetana’s The Bartered Bride, Mozart’s Cosí Fan Tutte, and Stephen Sondheim’s A Little Night Music.
Jessie holds a Bachelor’s Degree from Luther College and a Master’s Degree from Roosevelt University’s “Chicago College of Performing Arts.” After finishing her Master’s Degree, Jessie spent a summer in New York City participating in the Manhattan School of Music Summer Festival.
Most recently, Jessie took part in Madison Opera’s 2013-14 resident artist program in Madison, Wisconsin, where she covered the title role in Puccini’s Tosca and sang Sister Catherine (and covered Sister Rose) in Jake Heggie’s Dead Man Walking.
Fringe at the Taproom | Soloist | 2018 |
The Long Christmas Dinner | Lucia/Lucia II | 2018 |
2016-17 Season Opening Gala | Soloist | 2016 |
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Miss Jessel* | 2015 |
Michael R. Oldham (b. 1989 Braidwood, IL) is a composer and pianist who weaves artwork, story, and imagination into his work. Whether experimenting with looping videos on Instagram as the “parts” of a piece that anyone can play (Music In Segments – 2018), utilizing repeating gif images of old silent films as inspiration for a twelve-movement work (Music In Gifs – 2019), or translating great works of art into music (Suggestion Box: Art – 2020, The Egon Schiele Pieces – upcoming), Michael’s thirst for unusual storytelling through music is never quenched.
One of the many projects keeping Michael busy over quarantine is a weekly art song series entitled, Lugubrious Portraiture, or, Art Songs for Those on the Peripheries of Love. Michael virtually gathered eight of his friends in the Chicago opera scene and beyond to create this series, which has premieres on his Instagram (@WhoaItsMichaelO) and YouTube channel every Sunday through April 2021.
Continuing this trend, his work as composer-as-storyteller is ever-present in the albums, EPs, and singles he has self-released. Recent albums include In Select Theaters (2019), which is his first full-length album of piano solos based on imagery of cinema past, Three Vignettes (2017), which is a work with short stories for violin and piano, The Los Angeles Miseries (2016), which is a set of pieces for solo piano on perspectives attained while driving across America from Chicago to Los Angeles, Grand Delusions on a Small Scale (2015), which features early solo piano works, as well as Fantasies for Piano (2014), which is a six-movement dissection of some of his favorite songs by artists including Fiona Apple, Dirty Projectors, My Brightest Diamond, Andrew Bird, St. Vincent, and Sufjan Stevens. Follow Michael R. Oldham now on Bandcamp, Spotify, Apple Music, or wherever you stream music.
Michael earned his Bachelor’s degree in Film Scoring and Composition from Berklee College of Music in Boston, Massachusetts, and studied briefly at Philippos Nakas Conservatory in Athens, Greece. He also keeps quite busy as a collaborative pianist in and around Chicago, including work with Chicago Fringe Opera and Chicago’s illustrious improv institution, Second City.
A City of Works | Pianist/Composer | 2021 |
Sounds of Pride | Pianist | 2019 |
Sounds of Pride 2020 | Pianist/Composer | 2020 |
A native of Temple Hills, Maryland, LaRob K. Rafael developed a love for singing at an early age. He found a spirit in the Gospel songs he sang and nuance in the Classical music he learned. A graduate of DePaul University where he received a Bachelor of Music in Vocal Performance, LaRob has studied with world-renowned teachers, directors, and coaches and has had musical opportunities that include traveling internationally to study language, culture, and music.
LaRob is the Founder and Artistic Director of Hearing in Color, an organization dedicated to supporting those whose contributions and stories have been historically excluded from classical spaces. He is a current member of the William Ferris Chorale, and supplemental artist for Bella Voce and Constellation Men’s Ensemble. He has been featured as a guest artist, soloist, or speaker on several in person or virtual events. As an Arts Administrator, he has worked with Lyric Opera of Chicago in the Learning and Creative Engagement Department, sits on the Board of La Caccina, an all-women’s profession choral ensemble, as Diversity and Community Engagement Advisor, been the Director of Community Engagement with Chicago’s Ear Taxi Festival (2021), and is an active consultant with the recently formed Black Opera Alliance and Black Administrators of Opera groups. LaRob was recently selected as one of 11 arts administrators nationwide to join the 4th Cohort of Sphinx LEAD, a 2-year program designed to evolve the industry landscape by empowering the next generation of executive leaders.
Additionally, LaRob uses his voice to connect people from different communities as recently appointed weekend morning host of Chicago’s Classical music radio station, WFMT (98.7 FM) to aid in decentralizing the predominantly white, European, male-centered classical consciousness.
Sounds of Pride | Soloist | 2019 |
Originally from Astoria, Oregon, Jasmine Thomasian (they/them) is a Chicago-based composer passionate about sound, identity formation, and the interpersonal dynamics of Western art music. While their artistic output spans a range of musical aesthetics, they particularly enjoy taking on projects that challenge them to think and create in new ways.
Jasmine’s compositional process is driven by their love of collaboration. Current and recent collaborators include Katie Amrine (trumpet) and Ford Fourqurean (video), Lane Champa (violin), Claire DiVizio (poet & soprano), Fuse Quartet (saxophones), and Zhen Piao (organ). Jasmine has been commissioned by the American Guild of Organists and OSSIA New Music, and their music has been performed on programs by Chicago Fringe Opera, I/O Fest, Atlantic Music Festival, New Music on the Point, and malai ensemble.
In addition to their work as a composer, Jasmine is an experienced arts administrator. Jasmine is currently Board Operations Manager for Thompson Street Opera Company, a Chicago-based organization which exclusively performs works by living composers. Jasmine has also been a Chair of the Student Composers Committee (NU), Co-Director of the Graduate Composers Sinfonietta (Eastman), and Co-Producer of “Music Matters,” a new-music radio show on WAYO FM (Rochester, NY). Jasmine holds degrees from the Eastman School of Music (MA), Union Theological Seminary (MA), and Williams College (BA).
Sounds of Pride 2020 | Composer | 2020 |
Robin West (they/them) is a singer-songwriter, multi-instrumentalist, actor, cabaret performer, lyricist, and artist from Chicago, IL, with a bachelor’s degree in Music Education from the DePaul University School of Music. Noted for their raw, charismatic, and honest writing and performances in a similar vein to those of Phoebe Bridgers, Snail Mail, and Julien Baker, Robin’s work combines skillful lyricism with moving and powerful melodic and harmonic structure. On Halloween of 2019, they released their solo demos EP, “Set It On Fire.” In addition to their work as a singer-songwriter, West has collaborated as a lyricist with composers around the city on numerous projects, most notably, “Halfway” with noted Chicago composer, Heidi Joosten.
Sounds of Pride 2020 | Composer | 2020 |
Brandon Williams, D.M.A., is an Assistant Professor of Choral Music and Choral Music Education at Rutgers, The State University of New Jersey. Dr. Williams appears frequently as a guest conductor, clinician, and presenter throughout the country.
Dr. Williams amassed a decade of middle and high school teaching experience in St. Louis, Missouri, where he also served as a conductor with the St. Louis Symphony IN UNISON Chorus, the St. Louis Children’s Choirs, and on the voice faculty at Maryville University. Dr. Williams was awarded the 2009 Missouri Choral Directors Association Prelude Award for excellence in choral music, an Outstanding Teacher Award from the University of Missouri-Columbia Honors College, and he was a graduate level Semi-Finalist in the 2015 ACDA National Student Conducting Competition.
Dr. Williams holds degrees from Western Illinois University (B.A.), the University of Illinois Urbana-Champaign (M.M.E.), and Michigan State University (D.M.A.) where he was awarded the prestigious University Enrichment Graduate Fellowship Award. He also earned an Artist Teacher Diploma from the Choral Music Experience-Institute for Choral Teacher Education. Dr. Williams has numerous compositions and arrangements published with Hal Leonard, G. Schirmer, Mark Foster, and Colla Voce, and he has multiple articles published in the Choral Journal. Dr. Williams is a member of the American Choral Directors Association, the American Society of Composers, Authors and Publishers, and the National Association for Music Education.
Sounds of Pride 2020 | Composer | 2020 |
Lauded for his versatility as a performer, critically acclaimed tenor, Jonathan Zeng, has performed as a soloist with opera companies, theaters, and symphony orchestras throughout the United States. With a voice described by Chicago publications as “valiant”, “stunning”, “vibrant”, and “rich”, Jonathan is based in Chicago and has soloed with choral ensembles The William Ferris Chorale and Vox Venti. You may also have seen him serving as cantor at the historic St. Michael Church in Old Town, singing with the Grant Park Symphony Chorus, as Richard Dauntless in Ruddigore with The Gilbert & Sullivan Opera Company or in multiple productions with Chicago Folks Operetta & Chicago Fringe Opera. Roles elsewhere range from Goro in Madama Butterfly & Beppe in I Pagliacci to Prince Charming in Cinderella, Chip Tolentino in The 25th Annual Putnam County Spelling Bee, and Frederic in Pirates of Penzance.
Jonathan’s cabaret, SONGS THAT SPEAK!, has had success throughout the Midwest. Its next iteration will be on Saturday, Aug 3, 2024 at the Venus Cabaret Theater in Chicago.
An avid proponent for arts education and vocal instruction, Jonathan has served as an adjunct faculty member in the Preparatory Department at the Cincinnati College-Conservatory of Music and has maintained a private voice studio for more than a decade. He teaches voice at Loyola Academy on the north side of Chicago. Jonathan received a BA in Music Education from the School of Music at Western IL University and an MM in vocal performance from the Cincinnati College Conservatory of Music (CCM). For more info, visit www.JonathanZeng.com or follow him on Instagram: @jonathan.zeng
Sounds of Pride 2020 | Soloist | 2020 |
Sounds of Pride | Soloist | 2019 |
Love Wounds | Narcissus | 2019 |
Dynamic Donuts: A Fundraiser for Love Wounds | Soloist | 2019 |
The Long Christmas Dinner | Charles | 2018 |
Fringe at the Taproom | Soloist | 2018 |
The Great God Pan | Clarke and Meyrick Cover | 2018 |
Song from the Uproar | Ensemble | 2016 |
The Turn of the Screw | Miles | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Tenor, Jazz Trio | 2015 |
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