Chicago Fringe Opera opens its second season with an opera experience like you’ve never imagined. Benjamin Britten’s ghostly chamber opera ‘The Turn of the Screw’ is presented as an immersive guided tour of the famous Berger Park mansion, transformed into a haunted house. Audience members journey through the rooms of the house as the opera unfolds. Join us for this unusual setting of Henry James’s haunting story of terror and mystery.
Katy Compton, a native of Waxahachie, Texas, has been praised for her “clear and attractive soprano,” and has established herself as a warm, accessible, and thoughtful performer. This winter, she looks forward to singing in concerts with CHAI Collaborative Ensemble and Chicago Fringe Opera. Katy’s recent performance highlights include playing the Governess in The Turn of the Screw with Chicago Fringe Opera, touring with Lyric Opera of Chicago’s outreach program, Opera in the Neighborhoods, as Dortchen in The Brothers Grimm, and singing with the Lyric Opera of Chicago chorus in last season’s production of Tannhäuser. Katy was a semi-finalist in last year’s Classical Singer Competition, is a proud member of Vox 3 Collective, and is an accomplished chorister, singing frequently with the Chicago Symphony Chorus and Grant Park Chorus. She received her M.M. in Voice Performance from Florida State University, and lives in Chicago with her husband.
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Governess | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
Described as having a “clear, secure, lyric tenor voice” that is “bold and assertive,” Scott Brunscheen is establishing himself as a unique voice in classical music.
For the 2013-14 season, Scott joined Madison Opera as a studio artist, during which he performed as Spoletta in Tosca, the solo inmate in Dead Man Walking, and the understudy for Tonio in Donizetti’s La fille du régiment. Additionally, Scott travelled to Germany and Tunisia to participate with the Bachakademie Stuttgart as a soloist under the direction of Hans-Christoph Rademann. He also returned to Chicago to sing Don Ramiro in Rossini’s La Cenerentola with Candid Concert Opera (now Chicago Fringe Opera). For the summer season, he sang with the Caramoor Bel Canto Festival as a soloist in Donizetti’s Miserere and ensemble member.
During previous seasons, Mr. Brunscheen performed Count Almaviva (Il barbiere di Siviglia), Belmonte (Die Entführung aus dem Serail), Don Ottavio (Don Giovanni), Don Ramiro (La Cenerentola), and covered Roderick in Philip Glass’ The Fall of the House of Usher, First Priest (Die Zauberflöte), Aronne in (Mose in Egitto), Delfa in Cavalli’s Giasone, and Tobias Ragg (Sweeney Todd).
Future performances include Wilhem Grimm in Lyric Opera of Chicago’s outreach and community performances of The Brothers Grimm, Male Chorus in The Rape of Lucretia with Chicago Fringe Opera, and a return to Bachakademie Stuttgart.
Scott has been a young artist with Chicago Opera Theater, Opera Theatre of St. Louis, Caramoor Bel Canto Festival, and Opera New Jersey. His completed his undergraduate studies at University of Utah and received his graduate degree from Roosevelt University. He currently lives in Chicago with his husband.
2016 Holiday House Party | Soloist | 2016 |
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Quint/Prologue | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Far Off Light | Soloist | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
The Rape of Lucretia | Male Chorus | 2014 |
Elyse Kakacek has been acclaimed by Chicago critics as “a young singer with vocal heft” with a “sparkling soprano voice” and “pleasing ability to navigate the stage”. She has been seen in various stage roles including Nedda, Susanna, Pamina, Frasquita, Clorinda, Adele and Ida in Die Fledermaus, Despina, Gretel, Zerlina, Papagena, Yumyum and Peep-Bo in The Mikado, and Sieglinde Lessing in Music in the Air. She also was in the cast of Spirit of the Dance in Niagara Falls as a featured soloist for Spirit Productions.
She has performed with The Cobalt Opera, Candid Concert Opera, Music by the Lake, Petite Opera Productions, American Chamber Opera Company, The Gilbert and Sullivan Company of Chicago, The Savoyaires and the DePaul Opera Theatre. She made her musical theatre debut at age seventeen as Dari in a middle-eastern pop-opera Sitaram with Lookingglass Theatre.
Her next adventure will be portraying the role of Despina in The Floating Opera Company’s inaugural production of Cosi fan tutte in the fall. Miss Kakacek will also be singing the role of Alice with Chicago Opera Playhouse during their 2014-2015 season production of Alice in Wonderland by Adam Busch. On the concert stage, she has appeared as soloist in Beethoven’s Choral Fantasy at the International Beethoven Festival in Chicago, Mendelssohn’s Elijah (The Youth), and in Schubert’s Mass in G. Elyse was a Finalist in both Chicago’s Opera Idol Competition and in the Opera Professional division for The American Prize: Virginia Schorr Memorial Award in 2013.
Miss Kakacek is honored to be a member of the Black Box Acting Studio family where she has completed four levels of study in the Sanford Meisner Method. She has participated in several summer training programs including Chicago Summer Opera, Operaworks, The Amalfi Coast Music Festival and the Opera Training Institute of Chicago. She holds a Bachelor’s degree in Vocal Performance from DePaul University and currently studies voice with Winifred Faix Brown in Chicago.
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Flora | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
The Rape of Lucretia | Lucia | 2014 |
Lauded for his versatility as a performer and accomplished in Musical Theater, Opera, Oratorio and Concert repertoire, critically acclaimed tenor, Jonathan Zeng, has performed throughout the United States with companies such as Cincinnati Opera, Central City Opera, Tulsa Opera, Opera Memphis, Utah Festival Opera, and the Princeton Festival. With a voice described by Chicago publications as “valiant”, “stunning”, “vibrant”, and “rich”, Jonathan is based in Chicago and has appeared as soloist with The William Ferris Chorale in the American premiere of John Joubert’s Five Songs of Incarnation and Bonaventura Somma’s Missa Pro Defunctis. You may also have seen him singing with the Grant Park Symphony Chorus, in Johnny Johnson or The Csardas Princess with Chicago Folks Operetta, or performing in Chicago Fringe Opera productions The Long Christmas Dinner, Trouble In Tahiti, Turn of the Screw, and Song From the Uproar. Roles elsewhere range from Goro in Madama Butterfly & Beppe in I Pagliacci to Prince Charming in Cinderella, Chip Tolentino in The 25th Annual Putnam County Spelling Bee, and Frederic in Pirates of Penzance. An avid proponent for arts education and vocal instruction, Jonathan has served as an adjunct faculty member in the Preparatory Department at the Cincinnati College Conservatory of Music and has maintained a private voice studio for more than a decade. Jonathan received a BA in Music Education from the School of Music at Western IL University and an MM in vocal performance from the Cincinnati College Conservatory of Music (CCM). Jonathan also writes and records his own music.
Sounds of Pride 2020 | Soloist | 2020 |
Sounds of Pride | Soloist | 2019 |
Love Wounds | Narcissus | 2019 |
Dynamic Donuts: A Fundraiser for Love Wounds | Soloist | 2019 |
The Long Christmas Dinner | Charles | 2018 |
Fringe at the Taproom | Soloist | 2018 |
The Great God Pan | Clarke and Meyrick Cover | 2018 |
Song from the Uproar | Ensemble | 2016 |
The Turn of the Screw | Miles | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Tenor, Jazz Trio | 2015 |
Chicago native Angela De Venuto’s vibrant soprano and magnetic stage presence has brought her to perform such roles as Adele (Die Fledermaus), the title role of Angélique (Ibert), Emily Webb (Our Town), Fiametta (The Gondoliers), and Peep-Bo (The Mikado) with DePaul Opera Theatre, and Lady Saphir (Patience) with Savoyaires.
Recently, Angela has performed self-produced recitals: An Evening of Art Song, and Sending Our Love (a benefit recital for Illinois tornado victims). She also performed scenes as Sophie (Der Rosenkavalier) with the Northwest Chicago Symphony and scenes as Countess (Le Nozze di Figaro) at Northwestern University, was soprano soloist for Vivaldi’s Gloria, and covered the role of Musetta (La bohéme) with Kor Productions. She occasionally performs throughout the country as soprano soloist with composer and pianist Eric Genuis in venues ranging from concert halls to maximum-security prisons.
In concert, Angela has performed works from Vivaldi, Handel, and Monteverdi to respected American composers such as John Cage and Thomas Pasatieri. A prolific recitalist, Angela has performed composers such as Respighi, Chausson, Dowland, Barber, Libby Larsen, and Previn. In 2013, Angela was the winner of the Raimondi Scholarship and in 2012, the LiPuma Scholarship in the Casa Italia Vocal Competitions. Angela trained in the Advanced Artist Program with OperaWorks during the summer of 2014 and received her B.M. in Vocal Performance from DePaul University.
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Miss Jessel | 2015 |
Mezzo-soprano Giovanna Manilla Jacques is a founding member of Chicago Fringe Opera, serves as Secretary on the CFO Board and is also the PR Director. Though she was born and spent her childhood in San Francisco, she spent her formative years in the South of France where she studied at the Conservatoire National de Toulon. She moved to Chicago in 2009 to complete her Bachelor of Music in Voice Performance from the DePaul School of Music. She graduated with her Master in Education with a focus in Higher Ed Leadership in 2021, also from DePaul. She served as Assistant Director of Admissions for the DePaul School of Music from 2017-2022, and is currently the Assistant Director of Admissions for the Evening & Weekend MBA at the Kellogg School of Management (Northwestern). Though she is no longer an active performer, she is a committed audience member and is thrilled to still be a part of Chicago Fringe Opera!
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Mrs. Grose | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
The Rape of Lucretia | Bianca | 2014 |
Soprano Kaileen Miller is an up-and-coming singer in the Chicago area, performing regularly with the Chicago Symphony Orchestra, the Grant Park Music Festival, and the Lyric Opera of Chicago. She recently particpated in the Emerging Artist Program with Virginia Opera, singing the role of the High Priestess in Aida and covering the role of Eurydice in Philip Glass’ Orphée. She spent two summers at Central City Opera as an Apprentice Artist, most recently singing Nella in Gianni Schicchi and a cover performance of Oriana in Handel’s Amadigi di Gaula. Additionally, she was hailed with rave reviews in her appearance as Donna Anna in Berkeley Opera’s Don Giovanni, declaring her portrayal as “a clear audience favorite…she sang with fervent feeling.” Previously based in San Francisco, Ms. Miller has sung many other operatic roles in the Bay Area including: the Countess in Le nozze di Figaro, Micaëla in Carmen, Fiordiligi in Così fan tutte, and Helena in A Midsummer Night’s Dream. She completed her Master’s degree at the San Francisco Conservatory of Music under the tutelage of mezzo-soprano Catherine Cook. Ms. Miller has worked with such luminaries as Dame Kiri te Kanawa, Thomas Hampson, Christine Brandes, Helmuth Rilling, and Nicola Luisotti. She has won numerous competitions and awards, including third place in the Western Regional Metropolitan Opera National Council Auditions, fourth place in the East Bay Opera League Scholarship Competition, and an Encouragement Award in the District Met Auditions in San Francisco.
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Governess* | 2015 |
Missourian Nathan Ward comes from an eclectic musical background, drawing on study of piano, cello, and composition to inform his singing. Currently pursuing a master’s degree from Northwestern University under Karen Brunssen, where he has recently performed as Howard Boucher in Jake Heggie’s Dead Man Walking, and Richard Dauntless in Gilbert and Sullivan’s Ruddigore, Nathan has also recently collaborated as a soloist in Mozart’s Requiem, Kile Smith’s Vespers with the Bienen Contemporary/Early Vocal Ensemble, and Benjamin Britten’s Serenade for Tenor, Horn, and Strings.
Before graduating from the University of Missouri with a bachelor’s degree in voice performance, he performed in Show-Me Opera’s productions of Cosí fan tutte, (Ferrando) La Cenerentola (Don Ramiro), and The Merry Widow, (Saint-Brioche), and became a recurring soloist with the Mizzou New Music Ensemble and the Bach Collegium Choir. Influential teachers include Ann Harrell and Braeden Harris.
The Turn of the Screw | Quint/Prologue* | 2015 |
A Chicago native, Jared received his B.M. from DePaul University in 2012 where he studied with Christopher Lorimer. There, he was cast in a number of leading roles such as Gabriel Von Eisenstein in Die Fledermaus and Luiz in The Gondoliers through DePaul Opera Theater. He recently was an apprentice artist at Sarasota Opera for their 2014 winter season.
Currently, he studies with Julia Faulker while being a chorister for the Lyric Opera of Chicago and for the Chicago Symphony Chorus.
2016 Holiday House Party | Solois | 2016 |
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Miles* | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
Lyric soprano Jessie Lyons is one of the most promising performers of opera’s new generation. The Iowa native has been enthusiastically received by audiences in numerous productions in Italy and throughout the United States.
Jessie has been described as “an amazingly talented young lyric soprano [with] a unique voice that is strong and warm throughout her range,” and her “poise and natural stage presence put her at the top of the list among her current peers.”
(Matthew Chellis, international performing artist).
Of one performance, Stage West Des Moines director Paul Dieke said, “Jessie has an exciting voice, brilliant and powerful, with secure, well-developed high tones. She was musically accurate and approached her roles with sensitivity and expressiveness. Dramatically, she was superb. Her anger/fight scene was mesmerizing.”
Jessie has performed numerous roles with various opera companies. Among her finest achievements to date are her performances of Alice Ford in Verdi’s Falstaff, Musetta in Puccini’s La bohème, La Ciesca in Puccini’s Gianni Schicchi, and Donna Elvira in Don Giovanni with La Musica Lirica in Italy. She has also performed as Alice Ford in Otto Nicolai’s The Merry Wives of Windsor and Lady Billows in Britten’s Albert Herring at Luther College, and Mimi in American Chamber Opera’s production of La bohème. In addition, she has sung with the Taos Opera Institute in Taos, New Mexico. Following that, Jessie performed with the Des Moines Metropolitan Opera in their 40th anniversary season, singing in Puccini’s La Rondine and Tchaikovsky’s Eugene Onegin, and scenes from Britten’s Turn of the Screw, Debussy’s Pelléas et Mélisande, Smetana’s The Bartered Bride, Mozart’s Cosí Fan Tutte, and Stephen Sondheim’s A Little Night Music.
Jessie holds a Bachelor’s Degree from Luther College and a Master’s Degree from Roosevelt University’s “Chicago College of Performing Arts.” After finishing her Master’s Degree, Jessie spent a summer in New York City participating in the Manhattan School of Music Summer Festival.
Most recently, Jessie took part in Madison Opera’s 2013-14 resident artist program in Madison, Wisconsin, where she covered the title role in Puccini’s Tosca and sang Sister Catherine (and covered Sister Rose) in Jake Heggie’s Dead Man Walking.
Fringe at the Taproom | Soloist | 2018 |
The Long Christmas Dinner | Lucia/Lucia II | 2018 |
2016-17 Season Opening Gala | Soloist | 2016 |
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Miss Jessel* | 2015 |
Nicole Elizabeth Hager, soprano, a native of Bettendorf, Iowa, is know for her full dramatic voice and her comedic abilities on stage. Recent roles include Djameleh in the American premier of The Rose of Stambul (Leo Fall) with the Chicago Folks Operetta, Sarah Good in The Crucible, Arminy in Carousel, Ida in Die Fledermaus, and Margo in The Merry Widow as well as countless other chorus and opera scene appearances. Nicole received her Bachelor of Music degree in vocal performance at Simpson College in Indianola, Iowa where she studied with Dr. Virginia Croskery and Dr. Robert Larsen. She holds a Masters of Music degree from the Chicago College of Performing Arts at Roosevelt University where shes studied with Christine Flasch and Matthew Chellis.
The Turn of the Screw | Mrs Grose* | 2015 |
Born in Brasov, Romania, Codrut Birsan began piano lessons at age 6 and at 17 accompanied for Opera Brasov. A former singer, Birsan studied at the Bucharest Conservatory and as a young musician he received instruction from Prof. Georgeta Stoleriu. In 2005, Birsan moved to the United States and obtained his Master of Music after receiving a scholarship from the San Francisco Conservatory of Music. Here Birsan began collaborations as an accompanist to singers and instrumentalists. Later, as an accompanist at the University of Wisconsin, Birsan began conducting larger instrumental ensembles and coached a wider range of singers, primarily focusing on opera, style, and performance practice. These collaborations would later become the catalyst and framework from which he would build Candid Concert Opera.
Birsan is a regular collaborator with Lyric Opera of Chicago and has served as music director for Opera in the Neighborhoods, Lyric’s vibrant outreach which brings opera productions to suburban and city schools. Recently, Birsan also accompanied a masterclass taught by renowned soprano, Renee Fleming. He has worn a number of professional hats and his musical credits include accompanist and opera coach with the San Francisco Lyric Opera, Livermoore Opera, Bay Area Summer Opera Theater Institute (BASOTI), and with the Opera Academy of California.
Also a capable and respected composer, in 2010 Birsan composed a portion of the score to “The World According to Ion B,” an acclaimed documentary originally premiering on HBO which later received an International Emmy Award.
Fringe’s Holiday House Party | Pianist | 2015 |
The Turn of the Screw | Conductor / Pianist | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Pianist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Conductor | 2015 |
2014 Christmas Celebration | Pianist | 2014 |
The Rape of Lucretia | Conductor | 2014 |
George is the Producing Artistic Director of Chicago Fringe Opera, called “the city’s alt-opera company” by the Chicago Tribune. Recent directing credits for the company include LA JETEÉ and CORSAIR, as well as the company’s long-running hit show THE ROSINA PROJECT, a Hip-Hop adaptation of THE BARBER OF SEVILLE.
In addition, George has directed new productions and workshops of operas, musicals, and plays with Opera Festival of Chicago, Chicago Dramatists, the Chicago Sinfonietta, Pittsburgh Opera, the Bay View Music Festival and Chicago Folks Operetta.
An inspiring mentor, George is the Producing Artistic Director of Opera and Theatre at North Park University.
Now in its ninth season, George hosts OPERA BOX SCORE [America’s Talk Radio Show About Opera] on Spotify, Apple Podcasts, and WNUR 89.3 FM Chicago.
To learn more about George, visit gjcederquist.com. He proudly uses zero social media platforms.
The Heroes Project – The Widow’s Will | Director | 2021 |
A City of Works | Artistic Director | 2021 |
Corsair | Creative Director | 2020 |
The Rosina Project Fall 2021 (NOITP) | Concept & Stage Direction | 2021 |
Arts in the Dark | Director | 2019 |
Woyzeck | Director | 2019 |
The Rosina Project | Director | 2019 |
The Long Christmas Dinner | Director | 2019 |
The Rossini Project | Director | 2018 |
The Great God Pan | Director | 2018 |
Lucrezia | Director | 2017 |
In the Penal Colony | Director | 2016 |
The Turn of the Screw | Director | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Director | 2015 |
The Rape of Lucretia | Director | 2014 |
Jeffrey Levin is a composer, sound designer, and musician based in Chicago IL. Jeffrey has contributed original music and sound designs for over 80 productions for various theaters in and outside of Chicago. He has collaborated with Steppenwolf, Steep, Strawdog, A Red Orchid, Oracle, Cor Theatre (Company Member), Windy City Playhouse, Emerald City, Albany Park Theatre Project, Stage Left, TUTA, Step Up Productions, Chicago Commercial Collective, Chicago Fringe Opera, Collaboraction, Hope Summer Repertory Theatre, ChiArts High School, and Columbia College. He was awarded the Edes Award for Emerging Artists that funds an ongoing collaboration with the storytelling artist collective The LIVINGroom. In addition to the Edes Award, other awards and Recognitions include a Joseph Jefferson Award for Sound Design of THE HAIRY APE at Oracle Theatre along with three other Jeff Award nominations for Sound Design and Original Music, the Michael Philippi prize for best professional exhibit (2016), Kleinman Composition Competition for his original work for Clarinet and Electronics, TimeOut Theatre Award nomination, and a Wilde Award Nomination. Jeffrey received his Masters of Music in Composition at DePaul University and Bachelors of Music in Composition at Columbia College Chicago.
The Turn of the Screw | Sound Designer | 2015 |
Alyssa Arrigo is the current artist-in-residence collaborative artist at the Chicago College of Performing Arts and a Young Artist at Chicago Opera Theater. She is also an adjunct faculty member at Moraine Valley Community College where she teaches piano and lecture classes.
A Chicago native, Alyssa is a graduate of the esteemed Jacobs School of Music at Indiana University. While completing her masters degree, Alyssa worked as an opera coach and rehearsal pianist for the IU Opera Theater in shows like Albert Herring, Faust, A View From the Bridge, Candide and the world premiere of Bernard Rand’s Vincent. She regularly performs with small opera companies around Chicago.
Ms. Arrigo is an avid collaborator. In 2011 she was seen with tenor Andrew Lunsford at the Kennedy Center in Washington D.C. She has traveled annually to Las Vegas, Nevada, to perform at the annual Food and Beverage Forum with acclaimed tenor, Carlos Montane.
A veteran of numerous summer festivals, Alyssa was has been a part of the Aspen Music Festival and School, Vladamir Feltsman’s PianoSummer and made her Italian debut while playing for opera singers in Montecatini Terme, Italy as part of the Italian Operatic Experience.
Ms. Arrigo maintains a small private studio and also teaches at the Beverly Arts Center in Chicago.
2016 Holiday House Party | Pianist | 2016 |
The Turn of the Screw | Pianist | 2015 |
Fringe’s Holiday House Party | Pianist | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Pianist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Pianist | 2015 |
The Rape of Lucretia | Pianist | 2014 |
Yasuko Oura has received national recognition as a virtuoso collaborative pianist, with concert appearances in notable venues as Alice Tully Hall, Merkin Hall, and Carnegie’s Weill Hall. Also known as a noted vocal coach and repetiteur, she has worked with such distinguished conductors as Harry Bicket, Jane Glover, and Christopher Larkin. Ms. Oura is the principal production pianist and coach for Florentine Opera and is also on the music staff for Lyric Opera of Chicago and Des Moines Metro Opera, and formerly for Fort Worth Opera, Madison Opera, Toledo Opera, and AIMS in Graz, Austria. Active as a recitalist, past seasons include performances with singers such as Susanne Mentzer and Susanna Phillips, as well as performances for the Dame Myra Hess Memorial Concert Series, the Bel Canto Foundation, WFMT, and WTTW’s Chicago Tonight. In addition, she is the artistic director of the NSUC Concert Series. She currently resides in Chicago, where she works with Grant Park Orchestra Chorus, Music of the Baroque, Chicago Opera Theater, Light Opera Works, and the Metropolitan Opera National Council Auditions Wisconsin District. Ms. Oura has received fellowships to San Francisco Opera’s Merola Opera Program, Tanglewood Music Center, Aspen Opera Theater Center and Music Academy of the West and has performed for numerous masterclasses, including those for José Van Dam, Rudolf Piernay and Marilyn Horne’s Song Continues series. She holds a bachelor’s degree from Oberlin College and master’s and doctoral degrees from the Juilliard School, where she was a C.V. Starr Doctoral Fellow.
The Turn of the Screw | Pianist | 2015 |
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