As One: Fundraiser / Preview

September 29th, 6:30pm

Sponsored by Hydrate

$25 per person donation – ahead or at the door.*

Included in your entry donation:

  • 1 Drink at the bar (additional cash bar available)
  • Appetizers courtesy of Hydrate
  • Performances from AS ONE (Kaminsky, Campbell, Reed) and more!

Help us make this incredible work a success!

*Please donate ahead to ensure your donation receipt letter, or request one by email following the event.


Jacquelyn Kress

Hannah After

Jacquelyn Kress

Jacquelyn Kress, mezzo-soprano, is a recent graduate of the Opera Institute at Boston University. With the OI, Ms. Kress was seen as Annio (La Clemenza di Tito), Kate (Owen Wingrave), Jean (Le Portrait de Manon), Mother Marie (Dialogues of the Carmelites), and Fidalma (Il Matrimonio Segreto). She has also performed with the Lyric Opera of Chicago’s outreach program as Tisbe in La Cenerentola. Other performances include Hansel and Gretel (Hansel), La vie parisienne (Métella), The Pirates of Penzance (Ruth),Trouble in Tahiti (Dinah), L’enfant et les sortileges (L’écureuil/La chatte), The Mikado (Katisha), Roméo et Juliette (Stephano), Cosi fan tutte (Dorabella). She has also been on the international stage: Salzburg, Austria as Marcellina in Le nozze di Figaro, and Périgueux, France as the title role in Offenbach’s La Périchole. Ms. Kress has a BM from the University of Illinois, and a MM from Roosevelt University.

Productions with Chicago Fringe Opera

As One Hannah Before (cover) 2017
Fringe’s Holiday House Party Soloist 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
2014 Christmas Celebration Soloist 2014

Jonathan Wilson

Hannah Before

Jonathan Wilson

A native of Austin, Texas, Jonathan Wilson has been performing in the Chicago area since 2015, working with many local opera and theater companies. An enthusiast of contemporary opera, Jonathan recently performed the role of John Brooke in Adamo’s Little Women with Chicago Vocal Arts Consortium. He was also excited to perform in the mid-western premieres of Richard Wargo’s opera, The Seduction of a Lady (Peter Semyonych), with Transgressive Theatre-Opera and Hilliard’s and Boresi’s charming comedic opera, The Filthy Habit (Gil), with Third Eye Theatre Ensemble. In 2017, Jonathan also had the opportunity to be part of the world premiere of the full-length work Cosmic Ray and the Amazing Chris (Quintar, Nerd 2), with Thompson Street Opera Company.

At home in many different musical styles, Jonathan recently appeared in Theo Ubique’s 2017 Jeff Award-winning production of the musical The Most Happy Fella (Ciccio, Jake) in Chicago. Other musical theatre and operetta performances include Assassins (Zangara) with Petite Opera Company, several productions with The Gilbert and Sullivan Opera Company of Chicago, and multiple productions of Monty Python’s Spamalot.

Passionate about bringing music and opera to new audiences and across cultural barriers, Jonathan was excited to take part in a production of Donizetti’s Rita (Gasparo) in 2016, sung in Italian, to introduce children to opera and foreign language. Additionally, he toured with Chicago Opera Playhouse’s new opera, Once Upon a Windy City (Al Capone), composed entirely of the ideas and stories of Chicago Public School students. Jonathan also made his Symphony Center solo debut in 2015, performing in Mandarin with the Dong Fang Chinese Performing Arts Association, in Xian Xinghai’s The Yellow River Cantata in celebration of the 70th anniversary of the end of World War II.

Outside of performing, Jonathan is passionate about math and science, and he greatly admires the creative overlap between the scientific and musical arts to explore the intricacy, complexity, and beauty of the world. He holds a BS degree with highest honors from the University of Illinois in Engineering Physics with a minor in Mathematics and a MS degree from the University of Michigan in Applied Electromagnetics and RF Circuits. He has worked as a radio frequency electrical engineer and a lecturer in physics, astronomy, and Earth science.

Productions with Chicago Fringe Opera

As One Hannah Before 2017

Alexandra Enyart


Alexandra Enyart

Alex Enyart is an orchestra and opera conductor with a focus on new music. She had her international premiere with the Tomsk Philharmonic Orchestra in Russia in 2016, and has worked as an apprentice with the Louisville Orchestra and Kentucky Opera. She began focusing on contemporary opera with Thompson Street Opera Company in Louisville, KY where she also received her Masters in Orchestral Conducting. When the company moved to Chicago, she came with them and took the position of Music Director starting in the 2017-2018 season. Alex has also won the CODA conducting competition and as a result was invited to work with Anthony Maeillo. She has also had the privilege to work and study with Kimcherie Lloyd, Joe Mechavich, Harold Farberman, Teddy Abrams, and Donald Portnoy among many others.

Productions with Chicago Fringe Opera

As One Conductor 2017

Amy Hutchison


Amy Hutchison

Amy Hutchison has championed American opera throughout her career. Her production of Missy Mazzoli’s Song from the Uproar: The Lives and Deaths of Isabelle Eberhardt for Chicago Fringe Opera was hailed as “imaginative” and “striking… contemporary music theater.” She has directed William Bolcom’s A View from the Bridge for Teatro dell’Opera di Roma, Washington National Opera and Portland Opera. Her collaboration with Ricky Ian Gordon and Stacey Tappan, Once I Was: Songs by Ricky Ian Gordon, was staged at the Chicago Cultural Center and recorded on the Blue Griffin label. Hutchison’s production of William Grant Still’s epic masterwork Troubled Island for South Shore Opera Company was named the number one classical music event of 2013 by Andrew Patner in the Chicago Sun-Times. Hutchison has also directed: Joelle Lamarre’s The Violet Hour: the Life of Leontyne Price; Jonathan Stinson’s The March: A Civil Rights Opera Project and Samuel Coleridge-Taylor’s Dream Lovers and African Romances for South Shore Opera Company. Other local productions include Leo Fall’s Madame Pompadour (Chicago Folks Operetta), Dido and Aeneas and The Telephone (Elgin Opera), Brigadoon (Music By the Lake), Faust (DuPage Opera), and Ned Rorem’s Our Town (DePaul Opera Theatre). Productions nationwide include Carmen (Kansas City, Milwaukee, Columbus), Turandot (Orlando), Don Pasquale (Indianapolis), La Traviata (Costa Mesa), Il Matrimonio Segreto (Boston), and Help, Help, the Globolinks! (Madison).

Ms. Hutchison has served on the directing staffs of Lyric Opera of Chicago and Houston Grand Opera. She has staged the Maurice Sendak production of Hänsel und Gretel for Opernhaus Zürich, The Juilliard School (televised for PBS: Live from Lincoln Center) and for the Canadian, San Diego, Indianapolis, and Baltimore opera companies. As Associate Director, Hutchison has staged Porgy and Bess throughout the United States and globally, including Milan’s Teatro alla Scala, L’Opéra National de Paris, Teatro La Fenice, and opera houses in Düsseldorf, Lucca and Tokyo.

Ms. Hutchison is a member of the faculty of The Bienen School of Music at Northwestern University, where she teaches Opera Workshop to Voice Performance majors.

Upcoming projects include: AS ONE for Chicago Fringe Opera, THE POET for South Shore Opera Company of Chicago, and A Donizetti double bill of IL PIGMALIONE and RITA for Chicago Opera Theatre.

Productions with Chicago Fringe Opera

As One Director 2017
Song from the Uproar Director 2016

Jonathan Zeng

Emcee, Tenor

Jonathan Zeng

Lauded for his versatility as a performer and accomplished in Musical Theater, Opera, Oratorio and Concert repertoire, “excellent tenor” Jonathan Zeng has performed throughout the United States with companies such as Cincinnati Opera, Central City Opera, Tulsa Opera, Opera Memphis, Utah Festival Opera, and the Princeton Festival. With a voice described as “impeccable”, Jonathan is based in Chicago and has appeared as soloist with The William Ferris Chorale in the American premiere of John Joubert’s Five Songs of Incarnation and Bonaventura Somma’s Missa Pro Defunctis. You may also have seen him singing with the Grant Park Symphony Chorus, performing in Chicago Fringe Opera productions Trouble In Tahiti, Turn of the Screw, and Song From the Uproar, or as part of Chicago Folks Operetta’s Johnny Johnson. Jonathan is thrilled to produce a new cabaret concert series, Songs That Speak, at the Chopin Theatre in Chicago.

An avid proponent for arts education and vocal instruction, Jonathan has served as an adjunct faculty member in the Preparatory Department at the Cincinnati College Conservatory of Music and has maintained a private voice studio for more than a decade. Jonathan received a BA in Music Education from the School of Music at Western IL University and an MM in vocal performance from the Cincinnati College Conservatory of Music (CCM).

Jonathan also writes and records his own music.

Productions with Chicago Fringe Opera

The Great God Pan Clarke and Meyrick Cover 2018
Song from the Uproar Ensemble 2016
The Turn of the Screw Miles 2015
Chicago Fringe Opera’s Lakeside Soiree Soloist 2015
Voices in the Dark, Jazz & Trouble in Tahiti Tenor, Jazz Trio 2015



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