Chicago Fringe Opera invites you to a Lakeside Soiree in celebration of its successful first season and fundraiser for upcoming productions in 2015-2016. Come join company members at Berger Park in Edgewater for refreshments and performances of favorite American and British opera, operetta, and musical theatre.
Alyssa Arrigo is the current artist-in-residence collaborative artist at the Chicago College of Performing Arts and a Young Artist at Chicago Opera Theater. She is also an adjunct faculty member at Moraine Valley Community College where she teaches piano and lecture classes.
A Chicago native, Alyssa is a graduate of the esteemed Jacobs School of Music at Indiana University. While completing her masters degree, Alyssa worked as an opera coach and rehearsal pianist for the IU Opera Theater in shows like Albert Herring, Faust, A View From the Bridge, Candide and the world premiere of Bernard Rand’s Vincent. She regularly performs with small opera companies around Chicago.
Ms. Arrigo is an avid collaborator. In 2011 she was seen with tenor Andrew Lunsford at the Kennedy Center in Washington D.C. She has traveled annually to Las Vegas, Nevada, to perform at the annual Food and Beverage Forum with acclaimed tenor, Carlos Montane.
A veteran of numerous summer festivals, Alyssa was has been a part of the Aspen Music Festival and School, Vladamir Feltsman’s PianoSummer and made her Italian debut while playing for opera singers in Montecatini Terme, Italy as part of the Italian Operatic Experience.
Ms. Arrigo maintains a small private studio and also teaches at the Beverly Arts Center in Chicago.
2016 Holiday House Party | Pianist | 2016 |
The Turn of the Screw | Pianist | 2015 |
Fringe’s Holiday House Party | Pianist | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Pianist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Pianist | 2015 |
The Rape of Lucretia | Pianist | 2014 |
Born in Brasov, Romania, Codrut Birsan began piano lessons at age 6 and at 17 accompanied for Opera Brasov. A former singer, Birsan studied at the Bucharest Conservatory and as a young musician he received instruction from Prof. Georgeta Stoleriu. In 2005, Birsan moved to the United States and obtained his Master of Music after receiving a scholarship from the San Francisco Conservatory of Music. Here Birsan began collaborations as an accompanist to singers and instrumentalists. Later, as an accompanist at the University of Wisconsin, Birsan began conducting larger instrumental ensembles and coached a wider range of singers, primarily focusing on opera, style, and performance practice. These collaborations would later become the catalyst and framework from which he would build Candid Concert Opera.
Birsan is a regular collaborator with Lyric Opera of Chicago and has served as music director for Opera in the Neighborhoods, Lyric’s vibrant outreach which brings opera productions to suburban and city schools. Recently, Birsan also accompanied a masterclass taught by renowned soprano, Renee Fleming. He has worn a number of professional hats and his musical credits include accompanist and opera coach with the San Francisco Lyric Opera, Livermoore Opera, Bay Area Summer Opera Theater Institute (BASOTI), and with the Opera Academy of California.
Also a capable and respected composer, in 2010 Birsan composed a portion of the score to “The World According to Ion B,” an acclaimed documentary originally premiering on HBO which later received an International Emmy Award.
Fringe’s Holiday House Party | Pianist | 2015 |
The Turn of the Screw | Conductor / Pianist | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Pianist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Conductor | 2015 |
2014 Christmas Celebration | Pianist | 2014 |
The Rape of Lucretia | Conductor | 2014 |
Described as having a “clear, secure, lyric tenor voice” that is “bold and assertive,” Scott Brunscheen is establishing himself as a unique voice in classical music.
For the 2013-14 season, Scott joined Madison Opera as a studio artist, during which he performed as Spoletta in Tosca, the solo inmate in Dead Man Walking, and the understudy for Tonio in Donizetti’s La fille du régiment. Additionally, Scott travelled to Germany and Tunisia to participate with the Bachakademie Stuttgart as a soloist under the direction of Hans-Christoph Rademann. He also returned to Chicago to sing Don Ramiro in Rossini’s La Cenerentola with Candid Concert Opera (now Chicago Fringe Opera). For the summer season, he sang with the Caramoor Bel Canto Festival as a soloist in Donizetti’s Miserere and ensemble member.
During previous seasons, Mr. Brunscheen performed Count Almaviva (Il barbiere di Siviglia), Belmonte (Die Entführung aus dem Serail), Don Ottavio (Don Giovanni), Don Ramiro (La Cenerentola), and covered Roderick in Philip Glass’ The Fall of the House of Usher, First Priest (Die Zauberflöte), Aronne in (Mose in Egitto), Delfa in Cavalli’s Giasone, and Tobias Ragg (Sweeney Todd).
Future performances include Wilhem Grimm in Lyric Opera of Chicago’s outreach and community performances of The Brothers Grimm, Male Chorus in The Rape of Lucretia with Chicago Fringe Opera, and a return to Bachakademie Stuttgart.
Scott has been a young artist with Chicago Opera Theater, Opera Theatre of St. Louis, Caramoor Bel Canto Festival, and Opera New Jersey. His completed his undergraduate studies at University of Utah and received his graduate degree from Roosevelt University. He currently lives in Chicago with his husband.
2016 Holiday House Party | Soloist | 2016 |
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Quint/Prologue | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Far Off Light | Soloist | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
The Rape of Lucretia | Male Chorus | 2014 |
Matthan Ring Black, baritone, holds a Master’s Degree in Opera Performance from Wichita State University and a Professional Diploma from the Chicago College of Performing Arts at Roosevelt University where he spent two years as a Young Artist with Chicago Opera Theater. Matthan has recently performed the roles of Don Alvaro and Dandini in Rossini’s Il Viaggio a Reims and La Cenerentola, Huy/The Doctor in the Chicago premiere of Daron Hagen’s Amelia at CCPA and Roderick Usher in a new realization of Debussy’s unfinished La Chute de Maison de Usher.
Matthan is also committed to classical vocal music in recital and concert. He recently performed in song recitals honoring the 50th anniversary of the death of Francis Poulenc and selections from La Traviata and A Midsummer Night’s Dream to celebrate the birthdays of Verdi and Britten. Matthan is also passionate about the preservation of art song in English through nontraditional performances of songs from composers such as John Adams, Ernst Bacon, Leonard Bernstein, Jake Heggie, and Lee Hoiby.
Matthan recently made his main stage debut with Chicago Opera Theatre as Vagabond #2 in Carl Orff’s Die Kluge and will be featured as an Apprentice Artist with Opera Southwest this October. Matthan will be also performing the role of Tarquinius in Candid Concert Opera’s The Rape of Lucretia in November. Other performances include Papageno (Die Zauberflöte), Sid (Albert Herring), Guglielmo (Cosi fan tutte), L’horloge Comtoise (L’enfant et les sortileges), Henry Davis (Street Scene), and The Lord High Chancellor (Iolanthe).
Lucrezia | Chucho | 2017 |
In the Penal Colony | The Officer | 2016 |
Fringe’s Holiday House Party | Soloist | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
The Rape of Lucretia | Tarquinius | 2014 |
A Chicago native, Jared received his B.M. from DePaul University in 2012 where he studied with Christopher Lorimer. There, he was cast in a number of leading roles such as Gabriel Von Eisenstein in Die Fledermaus and Luiz in The Gondoliers through DePaul Opera Theater. He recently was an apprentice artist at Sarasota Opera for their 2014 winter season.
Currently, he studies with Julia Faulker while being a chorister for the Lyric Opera of Chicago and for the Chicago Symphony Chorus.
2016 Holiday House Party | Solois | 2016 |
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Miles* | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
Gillian Hollis, soprano, studied opera and vocal performance as an undergraduate at the University of Maryland and a Master’s student at Northwestern University. She has performed with many companies in the U.S. including Madison Opera, Ash Lawn Opera, Chicago Folks Operetta, and Main Street Opera. Ms. Hollis is a winner of the Classical Singer Competition, the Virginia Maier Cooper Award, and a two-time Union League Civic and Arts Competition finalist. She is currently touring with Madison-based Opera for the Young as Beauty in their operatic adaptation of Beauty and the Beast, and will return next season as Queen of the Night in The Magic Flute. She is delighted to join Chicago Fringe Opera as Flora in Britten’s Turn of the Screw.
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Mezzo-soprano Giovanna Manilla Jacques is a founding member of Chicago Fringe Opera, serves as Secretary on the CFO Board and is also the PR Director. Though she was born and spent her childhood in San Francisco, she spent her formative years in the South of France where she studied at the Conservatoire National de Toulon. She moved to Chicago in 2009 to complete her Bachelor of Music in Voice Performance from the DePaul School of Music. She graduated with her Master in Education with a focus in Higher Ed Leadership in 2021, also from DePaul. She served as Assistant Director of Admissions for the DePaul School of Music from 2017-2022, and is currently the Assistant Director of Admissions for the Evening & Weekend MBA at the Kellogg School of Management (Northwestern). Though she is no longer an active performer, she is a committed audience member and is thrilled to still be a part of Chicago Fringe Opera!
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Mrs. Grose | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
The Rape of Lucretia | Bianca | 2014 |
Elyse Kakacek has been acclaimed by Chicago critics as “a young singer with vocal heft” with a “sparkling soprano voice” and “pleasing ability to navigate the stage”. She has been seen in various stage roles including Nedda, Susanna, Pamina, Frasquita, Clorinda, Adele and Ida in Die Fledermaus, Despina, Gretel, Zerlina, Papagena, Yumyum and Peep-Bo in The Mikado, and Sieglinde Lessing in Music in the Air. She also was in the cast of Spirit of the Dance in Niagara Falls as a featured soloist for Spirit Productions.
She has performed with The Cobalt Opera, Candid Concert Opera, Music by the Lake, Petite Opera Productions, American Chamber Opera Company, The Gilbert and Sullivan Company of Chicago, The Savoyaires and the DePaul Opera Theatre. She made her musical theatre debut at age seventeen as Dari in a middle-eastern pop-opera Sitaram with Lookingglass Theatre.
Her next adventure will be portraying the role of Despina in The Floating Opera Company’s inaugural production of Cosi fan tutte in the fall. Miss Kakacek will also be singing the role of Alice with Chicago Opera Playhouse during their 2014-2015 season production of Alice in Wonderland by Adam Busch. On the concert stage, she has appeared as soloist in Beethoven’s Choral Fantasy at the International Beethoven Festival in Chicago, Mendelssohn’s Elijah (The Youth), and in Schubert’s Mass in G. Elyse was a Finalist in both Chicago’s Opera Idol Competition and in the Opera Professional division for The American Prize: Virginia Schorr Memorial Award in 2013.
Miss Kakacek is honored to be a member of the Black Box Acting Studio family where she has completed four levels of study in the Sanford Meisner Method. She has participated in several summer training programs including Chicago Summer Opera, Operaworks, The Amalfi Coast Music Festival and the Opera Training Institute of Chicago. She holds a Bachelor’s degree in Vocal Performance from DePaul University and currently studies voice with Winifred Faix Brown in Chicago.
Fringe’s Holiday House Party | Soloist | 2015 |
The Turn of the Screw | Flora | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
The Rape of Lucretia | Lucia | 2014 |
Jacquelyn Kress, mezzo-soprano, is a recent graduate of the Opera Institute at Boston University. With the OI, Ms. Kress was seen as Annio (La Clemenza di Tito), Kate (Owen Wingrave), Jean (Le Portrait de Manon), Mother Marie (Dialogues of the Carmelites), and Fidalma (Il Matrimonio Segreto). She has also performed with the Lyric Opera of Chicago’s outreach program as Tisbe in La Cenerentola. Other performances include Hansel and Gretel (Hansel), La vie parisienne (Métella), The Pirates of Penzance (Ruth),Trouble in Tahiti (Dinah), L’enfant et les sortileges (L’écureuil/La chatte), The Mikado (Katisha), Roméo et Juliette (Stephano), Cosi fan tutte (Dorabella). She has also been on the international stage: Salzburg, Austria as Marcellina in Le nozze di Figaro, and Périgueux, France as the title role in Offenbach’s La Périchole. Ms. Kress has a BM from the University of Illinois, and a MM from Roosevelt University.
As One | Hannah Before (cover) | 2017 |
Fringe’s Holiday House Party | Soloist | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
Soprano Jenny Schuler has earned praise in recent seasons for her powerful vocalism and compelling stage artistry. She has been hailed as a “sumptuous soprano,” with a voice “rich in nuance” and “a vivid presence on the stage.” Her 2020/2021 season highlights include a debut with Chicago Opera Theater as Isabela in La Hija de Rappaccini (originally Matilde in Catan’s Il Postino), a debut with Opera Festival of Chicago in the role of Giorgetta in Il Tabarro, in addition to her role as a featured artist in the Dante 700 recital series also with Opera Festival of Chicago..
In the 2019/2020 season Ms Schuler made her Oregon Symphony debut as the soprano soloist in Beethoven’s 9th Symphony and returned as Mother in their production of Hänsel und Gretel, in addition to debuting the title role of Tosca with New Jersey Festival Orchestra. Productions canceled due to Covid-19 include Louder, Longer, Wagner! (Valerie/Brünhilde) with Lyric Unlimited, Lyric Opera of Chicago & Second City, and Songs from Letters recital with Chicago Fringe Opera.
Recent season highlights include the title role of Ariadne auf Naxos as a guest artist with Indiana University, Berta in Il barbiere di Siviglia with Sugar Creek Opera, Ariadne auf Naxos and Catán’s Florencia en el Amazonas, both with the A.J. Fletcher Opera Institute, and Leonore* in the Princeton Festival’s production of Fidelio.
Ms. Schuler was nominated as finalist for the 2019 Richard Tucker Career Grant, she was the second place winner in the 2019 Classical Singer Competition, first place winner of the 2018 Lyra New York International Vocal Competition, a semi-finalist in the 2017 Premier Opera Foundation International Vocal Competition, a semi-finalist in Shreveport Opera’s 2017 Mary Jacobs Smith Competition, a finalist in the 2017 Marcello Giordani International Voice Competition, and first place winner in the 2016 Heafner–Williams Vocal Competition. Ms. Schuler earned her Artist Diploma from the A.J. Fletcher Opera Institute and her Master of Music from Roosevelt University Chicago College of Performing Arts.
Ear Taxi Festival – Spotlight Series Concert: Songs From Letters | Soloist | 2020 |
Dynamic Donuts: A Fundraiser for Love Wounds | Soloist | 2019 |
2016 Holiday House Party | Soloist | 2016 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Girl, Jazz Trio | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
The Rape of Lucretia | Female Chorus | 2014 |
Aaron Wardell has been praised for his attractive, versatile baritone and is a sought-after performer in both opera and concert. He recently sang Yamadori in the Castleton Festival’s production of Madama Butterfly, where he was called a “young, handsome hunk” by the Washington Post. He has appeared with Opera Tampa, Dayton Opera, Elgin Opera, Chamber Opera Chicago, Central City Opera and internationally at Teatro National de Sucre in numerous roles including Dancaïro (Carmen), Marcello (La Bohème), Marco (Gianni Schicchi) and the title role in Don Giovanni.
Equally at home on the concert stage, his oratorio credits include Adam in Haydn’s Die Schöpfung, Mozart’s Mass in C Minor, Stravinsky’s Les Noces, Vaughan Williams’ Sea Symphony, Handel’s Messiah, Brahms’ Requiem, and both Bach Passions.
Aaron holds a Bachelor of Music from Western Michigan University, and earned a Master of Music in vocal performance and an Artist Diploma in opera from the University of Cincinnati College-Conservatory of Music.
The Great God Pan | Raymond | 2018 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Sam | 2015 |
2014 Christmas Celebration | Soloist | 2014 |
The Rape of Lucretia | Junius | 2014 |
Lauded for his versatility as a performer, critically acclaimed tenor, Jonathan Zeng, has performed as a soloist with opera companies, theaters, and symphony orchestras throughout the United States. With a voice described by Chicago publications as “valiant”, “stunning”, “vibrant”, and “rich”, Jonathan is based in Chicago and has soloed with choral ensembles The William Ferris Chorale and Vox Venti. You may also have seen him serving as cantor at the historic St. Michael Church in Old Town, singing with the Grant Park Symphony Chorus, as Richard Dauntless in Ruddigore with The Gilbert & Sullivan Opera Company or in multiple productions with Chicago Folks Operetta & Chicago Fringe Opera. Roles elsewhere range from Goro in Madama Butterfly & Beppe in I Pagliacci to Prince Charming in Cinderella, Chip Tolentino in The 25th Annual Putnam County Spelling Bee, and Frederic in Pirates of Penzance.
Jonathan’s cabaret, SONGS THAT SPEAK!, has had success throughout the Midwest. Its next iteration will be on Saturday, Aug 3, 2024 at the Venus Cabaret Theater in Chicago.
An avid proponent for arts education and vocal instruction, Jonathan has served as an adjunct faculty member in the Preparatory Department at the Cincinnati College-Conservatory of Music and has maintained a private voice studio for more than a decade. He teaches voice at Loyola Academy on the north side of Chicago. Jonathan received a BA in Music Education from the School of Music at Western IL University and an MM in vocal performance from the Cincinnati College Conservatory of Music (CCM). For more info, visit www.JonathanZeng.com or follow him on Instagram: @jonathan.zeng
Sounds of Pride 2020 | Soloist | 2020 |
Sounds of Pride | Soloist | 2019 |
Love Wounds | Narcissus | 2019 |
Dynamic Donuts: A Fundraiser for Love Wounds | Soloist | 2019 |
The Long Christmas Dinner | Charles | 2018 |
Fringe at the Taproom | Soloist | 2018 |
The Great God Pan | Clarke and Meyrick Cover | 2018 |
Song from the Uproar | Ensemble | 2016 |
The Turn of the Screw | Miles | 2015 |
Chicago Fringe Opera’s Lakeside Soiree | Soloist | 2015 |
Voices in the Dark, Jazz & Trouble in Tahiti | Tenor, Jazz Trio | 2015 |
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